Description

Book Synopsis
As a member of Poster Children, Rose Marshack took part in entwined revolutions. Marshack and other women seized a much-elevated profile in music during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)—Marshack chronicles the band’s day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk’s DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs.

An inside look at a scene and a career, Play Like a Man is the evocative and humorous tale of one woman’s life in the trenches and

Trade Review
"Following decades of fan engagement through road diaries and groundbreaking podcast predecessor Radio Zero, Poster Children bassist Rose Marshack has gathered stories and experience for this fast-paced and wide-ranging, but well-balanced rock/tech/spiritual memoir. Hard-won lessons, road stories, tech geekery, entertaining anecdotes and lessons from the Buddha are plentiful. . . . [A] stirring memoir." --Illinois Entertainer
"For music fans in Central Illinois, I highly recommend Marshack’s book, which she finished after five years of writing and editing. It’s a phenomenal model of what music journalism should be, exemplified by comprehensive documentation and peer review — plus just enough swear words to keep you chuckling as you reach for the next page." --Pantagraph
"For readers interested in the indie music scene, touring life, and female rockers." --Booklist
"Reflective, humorous, and rousing, Play Like a Man is an exuberant memoir—a musical and feminist testament." --Foreword Reviews
"A funny, warm, honest, and brilliant memoir from the bassist of American indie rock band Poster Children — a work to which all other music memoirs could aspire. . . . One of the all-time best music memoirs." --Louder than War
"An inspirational account of changing times. " --Big Takeover
“This kind of tour report from a female musician is so rare and essential in documenting women’s role in punk and music history. At the same time, the work that Poster Children did in contributing to the early use of the internet and social media and web design is important to think about around independent music and punk--really, around the music industry in general.”--Rebekah Buchanan, author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics

“The Poster Children were a smart, stubborn, self-reliant independent band that suddenly found itself surrounded by the ambitious puffery of hopeful tourist musicians. They navigated the problematic ocean of ‘Alternative Music’ that rose up in the 1990s and lived to tell the tale. Rose was central to that mission and should be considered a trustworthy and experienced reporter!”--Ian MacKaye, Fugazi and Minor Threat

“I have seen Rose Marshack play with her band the Poster Children many times, and her presence onstage is precisely like her writing, energetic, warm, and completely involved. This memoir is beautiful and frank, and does a fantastic job of bringing the reader into the private thoughts of a woman coming of age in a vibrant music community, immediately finding things to cling to and battles that need fighting. Her story will resonate not just with everyone who lived through this era, but anyone who's ever found their passion and community in music. I admire Rose tremendously and I'm glad she decided to tell us her story.” --Steve Albini



Table of Contents
List of Tour Reports

Preface

Acknowledgments

Part One. 1980s: College

Chapter 1. Origin Story

Chapter 2. The Scene at College

Chapter 3. Punk Bands in Dorms

Chapter 4. Computers

Chapter 5. Play Like a Man

Part Two. 1987-1992: Pre-major Label Life

Chapter 6. The Indie Code of Ethics

Chapter 7. Local

Chapter 8. Regional

Chapter 9. National

Part Three. 1993-1996: Major Label Life

Chapter 10. Mashed Potatoes

Chapter 11. Recording

Chapter 12. Touring

Chapter 13. Radio Sucks

Chapter 14. Computer Experiments

Chapter 15. Expectations

Chapter 16. Big Changes

Part Four. 1997: Post Major Label

Chapter 17. Online Participation

Chapter 18. Life as a Woman

Chapter 19. How to Look at Things

Chapter 20. Teaching

Appendix: List of Poster Children Alumni

Notes

Index

Play Like a Man

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    A Paperback / softback by Rose Marshack

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      Publisher: University of Illinois Press
      Publication Date: 28/02/2023
      ISBN13: 9780252086960, 978-0252086960
      ISBN10: 0252086961

      Description

      Book Synopsis
      As a member of Poster Children, Rose Marshack took part in entwined revolutions. Marshack and other women seized a much-elevated profile in music during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)—Marshack chronicles the band’s day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk’s DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs.

      An inside look at a scene and a career, Play Like a Man is the evocative and humorous tale of one woman’s life in the trenches and

      Trade Review
      "Following decades of fan engagement through road diaries and groundbreaking podcast predecessor Radio Zero, Poster Children bassist Rose Marshack has gathered stories and experience for this fast-paced and wide-ranging, but well-balanced rock/tech/spiritual memoir. Hard-won lessons, road stories, tech geekery, entertaining anecdotes and lessons from the Buddha are plentiful. . . . [A] stirring memoir." --Illinois Entertainer
      "For music fans in Central Illinois, I highly recommend Marshack’s book, which she finished after five years of writing and editing. It’s a phenomenal model of what music journalism should be, exemplified by comprehensive documentation and peer review — plus just enough swear words to keep you chuckling as you reach for the next page." --Pantagraph
      "For readers interested in the indie music scene, touring life, and female rockers." --Booklist
      "Reflective, humorous, and rousing, Play Like a Man is an exuberant memoir—a musical and feminist testament." --Foreword Reviews
      "A funny, warm, honest, and brilliant memoir from the bassist of American indie rock band Poster Children — a work to which all other music memoirs could aspire. . . . One of the all-time best music memoirs." --Louder than War
      "An inspirational account of changing times. " --Big Takeover
      “This kind of tour report from a female musician is so rare and essential in documenting women’s role in punk and music history. At the same time, the work that Poster Children did in contributing to the early use of the internet and social media and web design is important to think about around independent music and punk--really, around the music industry in general.”--Rebekah Buchanan, author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics

      “The Poster Children were a smart, stubborn, self-reliant independent band that suddenly found itself surrounded by the ambitious puffery of hopeful tourist musicians. They navigated the problematic ocean of ‘Alternative Music’ that rose up in the 1990s and lived to tell the tale. Rose was central to that mission and should be considered a trustworthy and experienced reporter!”--Ian MacKaye, Fugazi and Minor Threat

      “I have seen Rose Marshack play with her band the Poster Children many times, and her presence onstage is precisely like her writing, energetic, warm, and completely involved. This memoir is beautiful and frank, and does a fantastic job of bringing the reader into the private thoughts of a woman coming of age in a vibrant music community, immediately finding things to cling to and battles that need fighting. Her story will resonate not just with everyone who lived through this era, but anyone who's ever found their passion and community in music. I admire Rose tremendously and I'm glad she decided to tell us her story.” --Steve Albini



      Table of Contents
      List of Tour Reports

      Preface

      Acknowledgments

      Part One. 1980s: College

      Chapter 1. Origin Story

      Chapter 2. The Scene at College

      Chapter 3. Punk Bands in Dorms

      Chapter 4. Computers

      Chapter 5. Play Like a Man

      Part Two. 1987-1992: Pre-major Label Life

      Chapter 6. The Indie Code of Ethics

      Chapter 7. Local

      Chapter 8. Regional

      Chapter 9. National

      Part Three. 1993-1996: Major Label Life

      Chapter 10. Mashed Potatoes

      Chapter 11. Recording

      Chapter 12. Touring

      Chapter 13. Radio Sucks

      Chapter 14. Computer Experiments

      Chapter 15. Expectations

      Chapter 16. Big Changes

      Part Four. 1997: Post Major Label

      Chapter 17. Online Participation

      Chapter 18. Life as a Woman

      Chapter 19. How to Look at Things

      Chapter 20. Teaching

      Appendix: List of Poster Children Alumni

      Notes

      Index

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