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Book Synopsis

Plato Baptized places a variety of Spenser’s texts in the history of speaking, writing, reading, and interpreting which stretches from Plato’s mentors, Pythagoras and Socrates, to the present. Expansive and formidable in its complexity of argument, yet constantly lucid, the book presents its own perceptive readings of Spenser and his literary forebears as instances of ‘participatory mimesis' – a process Elizabeth Bieman identifies as central in the tradition of biblicized Platonism and Neoplatonism which informed Spenser’s habits of thinking.

The first five chapters offer a diachronic thread through the maze of ancient texts, philosophical and biblical, which Spenser assimilated synchronically, and from which he drew the paradigms of image and language that represented for older readers evidences of his Christian humanist ‘faith.’ The later chapters explore Spenser’s ever-equivocal metaphoric language, through fi

Plato Baptized

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    A Paperback by Elizabeth Bieman

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      Publisher: University of Toronto Press
      Publication Date: 12/15/1988 12:00:00 AM
      ISBN13: 9781442614840, 978-1442614840
      ISBN10: 1442614846

      Description

      Book Synopsis

      Plato Baptized places a variety of Spenser’s texts in the history of speaking, writing, reading, and interpreting which stretches from Plato’s mentors, Pythagoras and Socrates, to the present. Expansive and formidable in its complexity of argument, yet constantly lucid, the book presents its own perceptive readings of Spenser and his literary forebears as instances of ‘participatory mimesis' – a process Elizabeth Bieman identifies as central in the tradition of biblicized Platonism and Neoplatonism which informed Spenser’s habits of thinking.

      The first five chapters offer a diachronic thread through the maze of ancient texts, philosophical and biblical, which Spenser assimilated synchronically, and from which he drew the paradigms of image and language that represented for older readers evidences of his Christian humanist ‘faith.’ The later chapters explore Spenser’s ever-equivocal metaphoric language, through fi

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