Description
Book SynopsisThe sale of authors' papers to archives has become big news, with collections from James Baldwin and Arthur Miller fetching record-breaking sums in recent years. Amy Hildreth Chen offers the history of how this multimillion dollar business developed from the mid-twentieth century onward and considers what impact authors, literary agents, curators, archivists, and others have had on this burgeoning economy.
The market for contemporary authors' archives began when research libraries needed to cheaply provide primary sources for the swelling number of students and faculty following World War II. Demand soon grew, and while writers and their families found new opportunities to make money, so too did book dealers and literary agents with the foresight to pivot their businesses to serve living authors. Public interest surrounding celebrity writers had exploded by the late twentieth century, and as Placing Papers illustrates, even the best funded institutions were forced to contend with the facts that acquiring contemporary literary archives had become cost prohibitive and increasingly competitive.
Trade Review“The author’s prose offers sheer grace and cleverness, shrugging off the burdens of the empirical/institutional nature of the project to produce a nascent work of valuable cultural criticism alongside its more purely informational dimension.”- Mark McGurl, author of
The Program Era: Postwar Fiction and the Rise of Creative Writing “Chen’s research is impressive, drawing from a multifarious range of documents, everything from journals on trends in library science to correspondence with literary market professionals to journalism on trends in publishing.”- Eric Bennett, author of
Workshops of Empire: Stegner, Engle, and American Creative Writing during the Cold WarTable of Contents
- Introduction: Outside the Literary Collections Market
- Chapter 1: Inside the Literary Collections Market
- Chapter 2: Brand: Authors and Families
- Chapter 3: Profit: Agents and Dealers
- Chapter 4: Competition: Directors and Curators
- Chapter 5: Provenance: Archivists and Digital Archivists
- Chapter 6: Access: Scholars and the PublicConclusion: The Matthew Effect
