Description
Book SynopsisA groundbreaking study of the interaction of poetry, performance, and the built environment in ancient Greece. Winner of the PROSE Award for Best Book in Classics by the Association of American PublishersIn this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a lyric archaeology that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tape
Table of ContentsAcknowledgments
Note on Abbreviations, Texts, and Transliteration
Introduction. The Propinquity of Things
Part I. Orientations and Local Spaces
Chapter 1. Two Spatial Technologies: The Map and the Chorus
Chapter 2. Statues, Songs, and Spaces
Chapter 3. The Strength of Equipment and the Radiance of Song: Collaborative Effects
Chapter 4. Fr. 75 SM and the Politics of Athenian Space
Part II. Pindar's Cyrene: Pythians 4, 5, and 9
Chapter 5. Cyrene, a Pindaric Schema
Chapter 6. The City, the Body, and the Eye
Part III. Pindar's Greece: Olympian 6 and the Spaces of Tyranny
Chapter 7. Epigraphy, Architecture, Song: Olympian 6 and Other Gifts
Chapter 8. Pindar's Transports
Coda. Towards a Lyric Archaeology
Appendix. Dating the Porch of the Geloan Treasury at Olympia
Notes
Bibliography
Index Locorum
General Index
