Description

Book Synopsis
Picturing Death: 1200–1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife. In doing so, this volume sheds light on issues that unite two periods—the Middle Ages and the Renaissance—that are often understood as diametrically opposed. The studies collected here cover a broad visual terrain, from tomb sculpture to painted altarpieces, from manuscripts to printed books, and from minute carved objects to large-scale architecture. Taken together, they present a picture of the ways that images have helped humans understand their own mortality, and have incorporated the deceased into the communities of the living. Contributors: Jessica Barker, Katherine Boivin, Peter Bovenmyer, Xavier Dectot, Maja Dujakovic, Brigit Ferguson, Alison C. Fleming, Fredrika Jacobs, Henrike C. Lange, Robert Marcoux, Walter S. Melion, Stephen Perkinson, Johanna Scheel, Mary Silcox, Judith Steinhoff, and Noa Turel.

Table of Contents
List of Illustrations Introduction  Stephen Perkinson and Noa Turel part 1: Housing the Dead 1 Looking beyond the Face: Tomb Effigies and the Medieval Commemoration of the Dead  Robert Marcoux 2 Portraiture, Projection, Perfection: The Multiple Effigies of Enrico Scrovegni  Henrike Christiane Lange 3 Plorans ploravit in nocte: The Birth of the Figure of the Pleurant in Tomb Sculpture  Xavier Dectot 4 Gendering Prayer in Trecento Florence: Tomb Paintings in Santa Croce and San Remigio  Judith Steinhoff 5 Two-Story Charnel-House Chapels and the Space of Death in the Medieval City  Katherine M. Boivin part 2: Mortal Anxieties and Living Paradoxes 6 The Living Dead and the Joy of the Crucifixion  Brigit G. Ferguson 7 The Speaking Tomb: Ventriloquizing the Voices of the Dead  Jessica Barker 8 Feeding Worms: The Theological Paradox of the Decaying Body and Its Depictions in the Context of Prayer and Devotion  Johanna Scheel 9 Not Quite Dead: Imaging the Miracle of Infant Resuscitation  Fredrika H. Jacobs part 3: The Macabre, Instrumentalized 10 Dissecting for the King: Guido da Vigevano and the Anatomy of Death  Peter Bovenmyer 11 Covert Apotheoses: Archbishop Henry Chichele’s Tomb and the Vocational Logic of Early Transis  Noa Turel 12 Into Print: Early Illustrated Books and the Reframing of the Danse Macabre  Maja Dujakovic 13 Death Commodified: Macabre Imagery on Luxury Objects, c. 1500  Stephen Perkinson part 4: Departure and Persistence 14 Coemeterium Schola: The Emblematic Imagery of Death in Jan David’s Veridicus Christianus  Walter S. Melion 15 A Protestant Reconceptualization of Images of Death and the Afterlife in Stephen Bateman’s A Christall Glasse  Mary V. Silcox 16 Shifting Role Models within the Society of Jesus: The Abandonment of Grisly Martyrdom Images c. 1600  Alison C. Fleming Bibliography Index

Picturing Death 1200–1600

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    A Hardback by Stephen Perkinson, Noa Turel

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      Publisher: Brill
      Publication Date: 19/11/2020
      ISBN13: 9789004430020, 978-9004430020
      ISBN10:

      Description

      Book Synopsis
      Picturing Death: 1200–1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife. In doing so, this volume sheds light on issues that unite two periods—the Middle Ages and the Renaissance—that are often understood as diametrically opposed. The studies collected here cover a broad visual terrain, from tomb sculpture to painted altarpieces, from manuscripts to printed books, and from minute carved objects to large-scale architecture. Taken together, they present a picture of the ways that images have helped humans understand their own mortality, and have incorporated the deceased into the communities of the living. Contributors: Jessica Barker, Katherine Boivin, Peter Bovenmyer, Xavier Dectot, Maja Dujakovic, Brigit Ferguson, Alison C. Fleming, Fredrika Jacobs, Henrike C. Lange, Robert Marcoux, Walter S. Melion, Stephen Perkinson, Johanna Scheel, Mary Silcox, Judith Steinhoff, and Noa Turel.

      Table of Contents
      List of Illustrations Introduction  Stephen Perkinson and Noa Turel part 1: Housing the Dead 1 Looking beyond the Face: Tomb Effigies and the Medieval Commemoration of the Dead  Robert Marcoux 2 Portraiture, Projection, Perfection: The Multiple Effigies of Enrico Scrovegni  Henrike Christiane Lange 3 Plorans ploravit in nocte: The Birth of the Figure of the Pleurant in Tomb Sculpture  Xavier Dectot 4 Gendering Prayer in Trecento Florence: Tomb Paintings in Santa Croce and San Remigio  Judith Steinhoff 5 Two-Story Charnel-House Chapels and the Space of Death in the Medieval City  Katherine M. Boivin part 2: Mortal Anxieties and Living Paradoxes 6 The Living Dead and the Joy of the Crucifixion  Brigit G. Ferguson 7 The Speaking Tomb: Ventriloquizing the Voices of the Dead  Jessica Barker 8 Feeding Worms: The Theological Paradox of the Decaying Body and Its Depictions in the Context of Prayer and Devotion  Johanna Scheel 9 Not Quite Dead: Imaging the Miracle of Infant Resuscitation  Fredrika H. Jacobs part 3: The Macabre, Instrumentalized 10 Dissecting for the King: Guido da Vigevano and the Anatomy of Death  Peter Bovenmyer 11 Covert Apotheoses: Archbishop Henry Chichele’s Tomb and the Vocational Logic of Early Transis  Noa Turel 12 Into Print: Early Illustrated Books and the Reframing of the Danse Macabre  Maja Dujakovic 13 Death Commodified: Macabre Imagery on Luxury Objects, c. 1500  Stephen Perkinson part 4: Departure and Persistence 14 Coemeterium Schola: The Emblematic Imagery of Death in Jan David’s Veridicus Christianus  Walter S. Melion 15 A Protestant Reconceptualization of Images of Death and the Afterlife in Stephen Bateman’s A Christall Glasse  Mary V. Silcox 16 Shifting Role Models within the Society of Jesus: The Abandonment of Grisly Martyrdom Images c. 1600  Alison C. Fleming Bibliography Index

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