Description
Book SynopsisWould you trust a complete stranger?
After Chloe and her daughter Freya are rescued from disaster by a man who seems too good to be true, Chloe decides she must find him again to thank him. But instead of meeting her knight in shining armour, she comes across a woman called Nadine Caspian who warns her to stay well away from him. The man is dangerous, Nadine claims, and a compulsive liar. Alarmed, Chloe asks her what she means, but Nadine will say no more.
Chloe knows that the sensible choice would be to walk away - after all, she doesn''t know anything about this man. But she is too curious. What could Nadine have meant? And can Chloe find out the truth without putting herself and her daughter in danger?
Trade ReviewOne of the great unmissables of this genre - intelligent, classy and with a wonderfully Gothic imagination. * The Times *
A leading writer of psychological suspense . . . As ever, Hannah excels. Her books are so distinctive that they deserve to be placed in a separate sub-genre of their own. * Spectator *
Well executed twists and turns . . . Hannah is a gifted writer * Scotland on Sunday *
[Hannah] confirms in this, her eighth novel, her fluent writing skills, taste for complicated layers and deft hand with character, not to mention a knack for producing compelling openings . . . [THE CARRIER] is the kind of puzzle Agatha Christie might have created. Delicate, with ever-increasing dread, it is a mature work - full of confidence and intrigue. * Daily Mail on THE CARRIER *
If you want a tale to keep you on your toes, give your brain a jolt, and cause a series of heart attacks, THE TELLING ERROR is for you. Hannah proves once again that she deserves the accolade of Queen of Crime. * Stylist *
