Description

Book Synopsis
Christopher Walter, in his research on Byzantine art, has been particularly concerned by the significative value of iconography. The Byzantines, perhaps more than other cultural groups, were aware that pictures could "speak". The form and content of their "message" is explored here in a series of twenty-six articles, together with the use to which this "message" could be put.

The first group of six articles is concerned with manuscript illustration. The second group of six articles shows how pictures could be used for ecclesiological purposes, not only to set out the universal mission of the Church. and its relations with political authorities, but also the relations of a local Church with the ensemble. A third group of three articles is concerned with the use of pictures in order to instruct the faithful on the raison d'être of the liturgy. The fourth group of seven articles studies the use of pictures to make better known to the populace the role of saints in the life of terrestrial men. Finally two articles document the use of iconography on apotropaic objects like amulets. In an epilogue the author brings up to date the bibliography of the subjects studied in these articles.

Table of Contents
Preface

Les dessins carolingiens dans un manuscrit de Verceil

Un commentaire enluminé des homélies de Grégoire de Nazianze

The Triumph of Saint Peter in the Church of Saint Clement at Ohrid and the iconography of the Triumph of the Martyrs

The Portrait of Jakov of Serres in Londin Additional 39629

The Date and Content of the Dionysiou Lectionary

The Icon and the Image of Christ

The Second Council of Nicaea and Byzantine Tradition

Icons of the First Council of Nicaea

Political Imagery: Osmosis Between East and West

A Problem Picture of the Emperor John VIII and the Patriarch Joseph

The Significance of the Portrait of Danilo II as Donor in his Church of the Bogorodica

Portraits of Serbian Bishops Appointed on Byzantine Territory

The Christ Child on the Altar in the Radoslav Narthex: a Learned or a Popular Theme?

A New Look at the Sanctuary Barrier

The Byzantine Sanctuary - a Word List

The Iconography of the Prophet Habakkuk

The Invention of Saint John the Baptist's Head in the Wall-Calendar at Graanica

Salome and the Head of Saint John the Baptist

The Abgar Cycle at Matei

Saint Clement in the Chersonese and the Iconography of his Miracle

Saints of Second Iconoclasm in the Madrid Scylitzes

The Portrait of Saint Paraskeve

The Intaglio of Solomon in the Benaki Museum and the Origins of the Iconography of Warrior Saints

Some Unpublished Intaglios of Solomon in the British Museum

Additional Notes

Index

Pictures as Language: How the Byzantines

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    A Hardback by Christopher Walter

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      View other formats and editions of Pictures as Language: How the Byzantines by Christopher Walter

      Publisher: Pindar Press
      Publication Date: Publication Date: 31/12/2000
      ISBN13: 9781899828364, 978-1899828364
      ISBN10: 1899828362

      Description

      Book Synopsis
      Christopher Walter, in his research on Byzantine art, has been particularly concerned by the significative value of iconography. The Byzantines, perhaps more than other cultural groups, were aware that pictures could "speak". The form and content of their "message" is explored here in a series of twenty-six articles, together with the use to which this "message" could be put.

      The first group of six articles is concerned with manuscript illustration. The second group of six articles shows how pictures could be used for ecclesiological purposes, not only to set out the universal mission of the Church. and its relations with political authorities, but also the relations of a local Church with the ensemble. A third group of three articles is concerned with the use of pictures in order to instruct the faithful on the raison d'être of the liturgy. The fourth group of seven articles studies the use of pictures to make better known to the populace the role of saints in the life of terrestrial men. Finally two articles document the use of iconography on apotropaic objects like amulets. In an epilogue the author brings up to date the bibliography of the subjects studied in these articles.

      Table of Contents
      Preface

      Les dessins carolingiens dans un manuscrit de Verceil

      Un commentaire enluminé des homélies de Grégoire de Nazianze

      The Triumph of Saint Peter in the Church of Saint Clement at Ohrid and the iconography of the Triumph of the Martyrs

      The Portrait of Jakov of Serres in Londin Additional 39629

      The Date and Content of the Dionysiou Lectionary

      The Icon and the Image of Christ

      The Second Council of Nicaea and Byzantine Tradition

      Icons of the First Council of Nicaea

      Political Imagery: Osmosis Between East and West

      A Problem Picture of the Emperor John VIII and the Patriarch Joseph

      The Significance of the Portrait of Danilo II as Donor in his Church of the Bogorodica

      Portraits of Serbian Bishops Appointed on Byzantine Territory

      The Christ Child on the Altar in the Radoslav Narthex: a Learned or a Popular Theme?

      A New Look at the Sanctuary Barrier

      The Byzantine Sanctuary - a Word List

      The Iconography of the Prophet Habakkuk

      The Invention of Saint John the Baptist's Head in the Wall-Calendar at Graanica

      Salome and the Head of Saint John the Baptist

      The Abgar Cycle at Matei

      Saint Clement in the Chersonese and the Iconography of his Miracle

      Saints of Second Iconoclasm in the Madrid Scylitzes

      The Portrait of Saint Paraskeve

      The Intaglio of Solomon in the Benaki Museum and the Origins of the Iconography of Warrior Saints

      Some Unpublished Intaglios of Solomon in the British Museum

      Additional Notes

      Index

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