Description

Book Synopsis
Featuring almost eighty illustrations from between 1590 and 1830, Pictured Politics is the sole study in English or Spanish to examine the role of portraiture in constructing the history of South American colonialism.

Trade Review
Engel’s book is a welcome addition to the scholarly dialogue about portraiture, one that brings the complexities of colonial relationships to bear on the discussion of a genre viewed as embodying power. Pictured Politics will appeal to specialists and students of colonial art and portraiture studies. Most of the images she analyzes have never been reproduced in an English language art history text. Their appearance within Engel’s book widens our understanding of portraits produced in the eighteenth century and the ways in which they were employed and displayed in a colonial context. Engel treats this understudied material in richly nuanced ways with compelling discussion. * Journal18 *
Pictured Politics provides a model for studying the ways in which local and imperial concerns converged in artistic patronage and serves as a fine example of how interviceregal comparison can be revealing and, at the same time, generate new research questions. * caa.reviews *
Engel’s work makes important contributions to the understanding of South American colonial art and that of the early nineteenth century...Pictured Politics is the first stand-alone analysis of South American portraiture. As such, Emily Engel’s research offers insights beyond the physical portraits’ stylistic traits and icono-graphic content, helping the reader see what cannot be seen, by examining portraiture as more than just historical artifacts. Her comprehensive analyses of the sociopolitical roots of this genre over time reveal deep material relationships that intricately intertwined portraiture with complex regional and local notions of authority. * Estudios Interdisciplinarios de America Latina y el Caribe *
Pictured Politics makes an exemplary contribution to one of the least studied aspects of the history of Hispanic viceregal art: portraiture in South America...a nuanced and deep reading of the official—in other words, corporate, and predominantly male—portrait in the primary political and commercial centres of South America. * Hispanic Research Journal *
Pictured Politics offers a new and much-needed reframing of official portrait series that have rested in the background of colonial art history. It offers provocative conclusions and will undoubtedly inspire further research. Moreover, the book will hopefully help secure the preservation of surviving examples of these important records of colonial history. * H-Net Reviews *

Table of Contents
Acknowledgments

Introduction: Art and Authority in Late Colonial South American Portraiture
Chapter 1. New Pictorial Practices: Early Official Portraits in Viceregal Peru
Chapter 2. Visualizing Empire’s History: Royal Portraits in the Iberoamerican World
Chapter 3. Picturing Viceregal Authority in the Lima City Council
Chapter 4. Municipal Collecting: Viceregal Portraits in Bogotá and Buenos Aires
Chapter 5. Portrayal in a Time of Transition: Early Nineteenth-Century Portraits
Epilogue: The Afterlife of Official Portraits

Notes
Bibliography
Index

Pictured Politics

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    A Hardback by Emily Engel

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      Publisher: University of Texas Press
      Publication Date: 26/05/2020
      ISBN13: 9781477320594, 978-1477320594
      ISBN10: 1477320598
      Also in:
      History of art

      Description

      Book Synopsis
      Featuring almost eighty illustrations from between 1590 and 1830, Pictured Politics is the sole study in English or Spanish to examine the role of portraiture in constructing the history of South American colonialism.

      Trade Review
      Engel’s book is a welcome addition to the scholarly dialogue about portraiture, one that brings the complexities of colonial relationships to bear on the discussion of a genre viewed as embodying power. Pictured Politics will appeal to specialists and students of colonial art and portraiture studies. Most of the images she analyzes have never been reproduced in an English language art history text. Their appearance within Engel’s book widens our understanding of portraits produced in the eighteenth century and the ways in which they were employed and displayed in a colonial context. Engel treats this understudied material in richly nuanced ways with compelling discussion. * Journal18 *
      Pictured Politics provides a model for studying the ways in which local and imperial concerns converged in artistic patronage and serves as a fine example of how interviceregal comparison can be revealing and, at the same time, generate new research questions. * caa.reviews *
      Engel’s work makes important contributions to the understanding of South American colonial art and that of the early nineteenth century...Pictured Politics is the first stand-alone analysis of South American portraiture. As such, Emily Engel’s research offers insights beyond the physical portraits’ stylistic traits and icono-graphic content, helping the reader see what cannot be seen, by examining portraiture as more than just historical artifacts. Her comprehensive analyses of the sociopolitical roots of this genre over time reveal deep material relationships that intricately intertwined portraiture with complex regional and local notions of authority. * Estudios Interdisciplinarios de America Latina y el Caribe *
      Pictured Politics makes an exemplary contribution to one of the least studied aspects of the history of Hispanic viceregal art: portraiture in South America...a nuanced and deep reading of the official—in other words, corporate, and predominantly male—portrait in the primary political and commercial centres of South America. * Hispanic Research Journal *
      Pictured Politics offers a new and much-needed reframing of official portrait series that have rested in the background of colonial art history. It offers provocative conclusions and will undoubtedly inspire further research. Moreover, the book will hopefully help secure the preservation of surviving examples of these important records of colonial history. * H-Net Reviews *

      Table of Contents
      Acknowledgments

      Introduction: Art and Authority in Late Colonial South American Portraiture
      Chapter 1. New Pictorial Practices: Early Official Portraits in Viceregal Peru
      Chapter 2. Visualizing Empire’s History: Royal Portraits in the Iberoamerican World
      Chapter 3. Picturing Viceregal Authority in the Lima City Council
      Chapter 4. Municipal Collecting: Viceregal Portraits in Bogotá and Buenos Aires
      Chapter 5. Portrayal in a Time of Transition: Early Nineteenth-Century Portraits
      Epilogue: The Afterlife of Official Portraits

      Notes
      Bibliography
      Index

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