Description
Book SynopsisThis new edition of Physical Theatres: A Critical Introduction continues to provide an unparalleled overview of non-text-based theatre, from experimental dance to traditional mime. It synthesizes the history, theory and practice of physical theatres for students and performers in what is both a core area of study and a dynamic and innovative aspect of theatrical practice.
This comprehensive book:
- traces the roots of physical performance in classical and popular theatrical traditions
- looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and Jérôme Bel
- examines the contemporary practice of companies such as Théatre du Soleil, Complicite and Goat Island
- focuses on principles and practices in actor training, with reference to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood.
Extensive cross referenc
Table of Contents
Introduction 1. Genesis, Contexts, Namings 2. Routes: Roots 3. Contemporary Practices 4. Preparation and Training 5. Physicality and the Word 6. Bodies and Cultures 7. The Body and Technology 8. Conclusion by Way of Lexicon
