Description
Book SynopsisA collection of essays investigating photography’s role in the evolution of media and communication in the nineteenth century.
Trade Review“A significant intervention into the longstanding constitution of the history of photography as a media-specific discipline.”
—Emily Doucet Oxford Art Journal
“Photography and Other Media in the Nineteenth Century is a highly welcome addition to current debates on material culture and photography, while its single greatest achievement lies in successfully opening up this often academically marginalised medium to new interdisciplinary sociocultural, historical, economic, political, and media perspectives.”
—Kathrin Yacavone History of Photography
“This groundbreaking volume embodies a major shift in the historiography of photography. These first-rate contributions bring to bear the intellectual resources of the numerous disciplines that must inform the holistic study of photography in the future. Taken together, a new approach emerges, one in which photography's status as a medium is not taken for granted and in which its boundaries are defined dynamically by its interactions with other forms of representation and communication in the nineteenth century.”
—Jordan Bear,author of Disillusioned: Victorian Photography and the Discerning Subject
“This timely and refreshing book challenges the introspective ‘media exceptionalism’ that often accompanies photographic studies. Instead it places photography firmly within the broad field of cultures of communicative technology, from the telegraph to postal systems, enriching the understanding of all these entangled practices.”
—Elizabeth Edwards,author of The Camera as Historian: Amateur Photographers and Historical Imagination, 1885–1918
“Provides fresh insights for the expanding potential of archival visual collections.”
—Clayton Lewis The American Archivist
“The approaches to intermediality explored in this volume resonate well beyond the history of photography, and beyond media history too. Positioned as a starting point with a call for further enquiries, this collection taps into the spirit of materials-focused, context-aware analysis in current scholarship and embraces a shift away from an emphasis on production contexts towards dissemination and reception. The potentially wide-ranging applications of this inclusive approach should have the desired impact of encouraging scholars in far-reaching disciplines to also engage with photography outside of art history in non-Western, non-visual, or contemporary digital contexts.”
—Beth Knazook Romance, Revolution & Reform
Table of ContentsContents
List of Illustrations
Acknowledgments
Introduction (Nicoletta Leonardi and Simone Natale)
Part I: The Emergence of Modern Communications
1. Elephans Photographicus: Media Archaeology and the History of Photography (Erkki Huhtamo)
2. A Mirror with Wings: Photography and the New Era of Communications (Simone Natale)
3. The Traveling Daguerreotype: Early Photography and the U.S. Postal System (David M. Henkin)
4. The Telegraph of the Past: Nadar and the Time of Photography (Richard Taws)
5. With Eyes of Flesh and Glass Eyes: Railroad Image-Objects and Fantasies of Human-MachineHybridizations in the Mid-Nineteenth-Century United States (Nicoletta Leonardi)
Part II: Technologies of Reproduction
6. Peer Production in the Age of Collodion: The Bromide Patent and the Photographic Press, 1854–1868 (Lynn Berger)
7. Two or Three Things Photography Did to Painting (Jan von Brevern)
8. Uniqueness Multiplied: The Daguerreotype and the Visual Economy of the Graphic Arts (Steffen Siegel)
9. Photographs in Text: The Reproduction of Photographs in Nineteenth-Century Scientific Communication (Geoffrey Belknap)
Part III: Popular Cultures
10. In the Time of Balzac: The Daguerreotype and the Discovery/ Invention of Society (Peppino Ortoleva)
11. Sound Photography (Anthony Enns)
12. Photography, Cinema, and Perceptual Realism in the Nineteenth Century (Kim Timby)
13. The Double-Birth Model Tested Against Photography (Andre Gaudreault and Philippe Marion
Afterword: Media History and History of Photography in Parallel Lines (Geoffrey Batchen and Lisa Gitelman
Bibliography
List of Contributors
Index
