Description

Book Synopsis

Guiding you through the topics that shape aesthetics and the philosophy of art, this introduction explores the truth, meaning, taste, aesthetic merit and judgement, creativity and the possibility of machine art, and morality and the possibility of immoral art. Each chapter offers a wealth of examples from Southeast Asia, including the Nanyang style of painting, the mooi indie genre and its postcolonial legacy, groundbreaking works of poetry and literature, dragon kiln pottery, the art of making ang ku kueh, contemporary conceptual art, the dikir barat and the balitaw.
Selected for their merit, boldness and connection to the Southeast Asian region, these artworks traverse art and craft, visual art and music, perceptual and conceptual art, real-life and hypothetical examples and folk and fine art. As case studies, these artworks allow us to deal with controversies and address central questions including:

- When are artworks considered dangerous?
- Why does Socrates re

Philosophy and Art in Southeast Asia

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Order before 4pm tomorrow for delivery by Wed 31 Dec 2025.

A Paperback by Melvin Chen

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    View other formats and editions of Philosophy and Art in Southeast Asia by Melvin Chen

    Publisher: Bloomsbury Publishing (UK)
    Publication Date: 1/8/2024
    ISBN13: 9781350414174, 978-1350414174
    ISBN10: 1350414174

    Description

    Book Synopsis

    Guiding you through the topics that shape aesthetics and the philosophy of art, this introduction explores the truth, meaning, taste, aesthetic merit and judgement, creativity and the possibility of machine art, and morality and the possibility of immoral art. Each chapter offers a wealth of examples from Southeast Asia, including the Nanyang style of painting, the mooi indie genre and its postcolonial legacy, groundbreaking works of poetry and literature, dragon kiln pottery, the art of making ang ku kueh, contemporary conceptual art, the dikir barat and the balitaw.
    Selected for their merit, boldness and connection to the Southeast Asian region, these artworks traverse art and craft, visual art and music, perceptual and conceptual art, real-life and hypothetical examples and folk and fine art. As case studies, these artworks allow us to deal with controversies and address central questions including:

    - When are artworks considered dangerous?
    - Why does Socrates re

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