Description

Book Synopsis
Despite the denigrating revelations of his published letters, Philip Larkin looms larger than ever, both as an English national icon and as a championed voice of postwar English poetry. Philip Larkin, Popular Culture, and the English Individual seeks to move beyond the decades-long preoccupation with Larkin's reputation and canonical status, approaching Larkin instead as part of a persevering cultural phenomenon through which the traditionally distinguished individual is reconstituted in the company of the ordinary and the interchangeable. It tracks how Larkin's poetic texts negotiate and engage with representations of popular culture at a time when notions of celebrity, authenticity, and cultural authority were newly (and deeply) unsettled by rock and roll, and when cultural capital had become a coveted substitute for diminished imperial wealth. From his unprecedented f-bombs to his cultivation of a familiar, comedic personality, this book examines how Larkin realigns common social pr

Trade Review
This book should appeal to a wide range of readers. Written in a clear, often clever, and always accessible style, it will obviously be of great interest both to academic and non-academic readers of Larkin, who is indeed, as the author claims, that rare poet who manages to be both popular with 'regular readers' and respected by 'intellectuals.' But the book should also interest readers pursuing larger game than Larkin alone, including those intrigued by issues of canonization, those fascinated by debates in literary theory, and those concerned with the whole matter of the divide—and the intersections—between 'high' and 'popular' culture and the impact of broader cultural forces on both. -- Robert C. Evans, Auburn University at Montgomery

Table of Contents
Chapter 1: Negotiating the Popular Chapter 2: The Hughes/Larkin Phenomenon Chapter 3: Poetry Says “Fuck”: Swearing as Social Capital Chapter 4: Larkitecture: Space, Structure, and Stuff in Post-imperial England Chapter 5: Larkin and the English Bachelor Afterword: More Bachelors, Artists, and Church-Goers References Index About the Author

Philip Larkin Popular Culture and the English

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    A Hardback by J. Ryan Hibbett

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      Publisher: Lexington Books
      Publication Date: 1/18/2019 12:02:00 AM
      ISBN13: 9781498543026, 978-1498543026
      ISBN10: 1498543022

      Description

      Book Synopsis
      Despite the denigrating revelations of his published letters, Philip Larkin looms larger than ever, both as an English national icon and as a championed voice of postwar English poetry. Philip Larkin, Popular Culture, and the English Individual seeks to move beyond the decades-long preoccupation with Larkin's reputation and canonical status, approaching Larkin instead as part of a persevering cultural phenomenon through which the traditionally distinguished individual is reconstituted in the company of the ordinary and the interchangeable. It tracks how Larkin's poetic texts negotiate and engage with representations of popular culture at a time when notions of celebrity, authenticity, and cultural authority were newly (and deeply) unsettled by rock and roll, and when cultural capital had become a coveted substitute for diminished imperial wealth. From his unprecedented f-bombs to his cultivation of a familiar, comedic personality, this book examines how Larkin realigns common social pr

      Trade Review
      This book should appeal to a wide range of readers. Written in a clear, often clever, and always accessible style, it will obviously be of great interest both to academic and non-academic readers of Larkin, who is indeed, as the author claims, that rare poet who manages to be both popular with 'regular readers' and respected by 'intellectuals.' But the book should also interest readers pursuing larger game than Larkin alone, including those intrigued by issues of canonization, those fascinated by debates in literary theory, and those concerned with the whole matter of the divide—and the intersections—between 'high' and 'popular' culture and the impact of broader cultural forces on both. -- Robert C. Evans, Auburn University at Montgomery

      Table of Contents
      Chapter 1: Negotiating the Popular Chapter 2: The Hughes/Larkin Phenomenon Chapter 3: Poetry Says “Fuck”: Swearing as Social Capital Chapter 4: Larkitecture: Space, Structure, and Stuff in Post-imperial England Chapter 5: Larkin and the English Bachelor Afterword: More Bachelors, Artists, and Church-Goers References Index About the Author

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