Description

Book Synopsis
In his epic Paradise Lost, John Milton employs, extends, and deepens the typological scheme that he believed to be embodied in, and known by, a close comparison of the scriptures of the Old and New Testaments. Using biblical typology as a point of departure, whereby the Hebraic scriptures are interpreted as prefigurations of the Christian New Testament, Milton developed a ''sign theory,'' or semiotics, of his own. Like Saint Augustine, the first great and foremost framer of sign theory and Christian typology in the West, Milton believed that knowledge of typology and sign theory was crucial to understanding God''s existence, power, and purpose in creation. Milton''s achievement was to dramatize this sign theory in his poetry, especially Paradise Lost. Professor Thomas Ramey Watson''s analysis of Milton''s sign theory begins with the context and framework of Augustinian sign theory and Milton''s adaptation thereof. Professor Watson then explores the essential conflicts between St. Augustine''s ''City of God'' and ''City of Man'' to contrast the godhead in Paradise Lost with the satanic underworld. Emphasizing Adam''s dream-vision in Books 11 and 12, and the instruction he receives from the Archangel Michael in reading signs correctly, Professor Watson explores indepth the trajectory of Adam and Eve''s downfall and subsequent resignation and regeneration.

Trade Review
For those readers of Milton who know little about the Augustinian tradition, this study provides a necessary background against which to appreciate the structure and thematic content of Paradise Lost. * Renaissance Quarterly *
The remarkable achievement of this manuscript is to explicate how "signs" are evident in the very language of the epic, how, that is, the very language is informed with significance. The book develops "sign theory" with reference to Paradise Lost in exciting and new directions. No other study, to my knowledge, is as comprehensive and systematic and detailed in doing so. The research is extensive, the citations from secondary resources are apt, and the contributions in original thinking and interpretations are extraordinary. -- Albert C. Labriola, professor of English and Distinguished University Professor, Duquesne University; editor of Milton Studies; Honored Scholar of the Milton Society for 2000

Table of Contents
Part 1 Foreword Part 2 Preface Part 3 Acknowledgements Chapter 4 Milton, Typology, and Sign Theory Chapter 5 From Hell to Heaven: The Two Cities in Opposition in Paradise Lost Chapter 6 Earth: Where Hell Meets Heaven Chapter 7 The City of God Begins Its Heavenly Triumph over the City of Man on Earth Chapter 8 Repairing the Ruins Part 9 Selected Bibliography Part 10 Index

Perversions Originals and Redemptions in Paradise

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    A Paperback by Thomas Ramey Watson

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      Publisher: University Press of America
      Publication Date: 6/20/2007 12:00:00 AM
      ISBN13: 9780761837824, 978-0761837824
      ISBN10: 0761837825

      Description

      Book Synopsis
      In his epic Paradise Lost, John Milton employs, extends, and deepens the typological scheme that he believed to be embodied in, and known by, a close comparison of the scriptures of the Old and New Testaments. Using biblical typology as a point of departure, whereby the Hebraic scriptures are interpreted as prefigurations of the Christian New Testament, Milton developed a ''sign theory,'' or semiotics, of his own. Like Saint Augustine, the first great and foremost framer of sign theory and Christian typology in the West, Milton believed that knowledge of typology and sign theory was crucial to understanding God''s existence, power, and purpose in creation. Milton''s achievement was to dramatize this sign theory in his poetry, especially Paradise Lost. Professor Thomas Ramey Watson''s analysis of Milton''s sign theory begins with the context and framework of Augustinian sign theory and Milton''s adaptation thereof. Professor Watson then explores the essential conflicts between St. Augustine''s ''City of God'' and ''City of Man'' to contrast the godhead in Paradise Lost with the satanic underworld. Emphasizing Adam''s dream-vision in Books 11 and 12, and the instruction he receives from the Archangel Michael in reading signs correctly, Professor Watson explores indepth the trajectory of Adam and Eve''s downfall and subsequent resignation and regeneration.

      Trade Review
      For those readers of Milton who know little about the Augustinian tradition, this study provides a necessary background against which to appreciate the structure and thematic content of Paradise Lost. * Renaissance Quarterly *
      The remarkable achievement of this manuscript is to explicate how "signs" are evident in the very language of the epic, how, that is, the very language is informed with significance. The book develops "sign theory" with reference to Paradise Lost in exciting and new directions. No other study, to my knowledge, is as comprehensive and systematic and detailed in doing so. The research is extensive, the citations from secondary resources are apt, and the contributions in original thinking and interpretations are extraordinary. -- Albert C. Labriola, professor of English and Distinguished University Professor, Duquesne University; editor of Milton Studies; Honored Scholar of the Milton Society for 2000

      Table of Contents
      Part 1 Foreword Part 2 Preface Part 3 Acknowledgements Chapter 4 Milton, Typology, and Sign Theory Chapter 5 From Hell to Heaven: The Two Cities in Opposition in Paradise Lost Chapter 6 Earth: Where Hell Meets Heaven Chapter 7 The City of God Begins Its Heavenly Triumph over the City of Man on Earth Chapter 8 Repairing the Ruins Part 9 Selected Bibliography Part 10 Index

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