Description

Book Synopsis

Focusing on visual approaches to performance in global cultural contexts, Perspectives in Motion explores the work of Adrienne L. Kaeppler, a pioneering researcher who has made a number of interdisciplinary contributions over five decades to dance and performance studies. Through a diverse range of case studies from Oceania, Asia, and Europe, and interdisciplinary approaches, this edited collection offers new critical and ethnographic frameworks for understanding and experiencing practices of music and dance across the globe.



Table of Contents

List of illustrations

Foreword
Nanasipauʻu Tukuʻaho

Acknowledgements

Introduction: Engaging the Visual in Dance and Music
Brian Diettrich and Kendra Stepputat

Part I: Gaining Insights through Dance Visualizations

Chapter 1. Kinetic Songscapes: Intersensorial Listening to Hula Kuʻi Songs
Kati Szego

Chapter 2. Using Motion Capture to Access Culturally Embedded and Embodied Movement Knowledge: A Case Study in Tango Argentino
Kendra Stepputat

Chapter 3. Transcription and Description: Tasks for Dance Research
Egil Bakka

Chapter 4. Moving into Someone Else’s Research Project: Issues in Collaborative Research
Judy Van Zile

Part II: Reconsidering Movement Structures

Chapter 5. The Dancer's Voice: The Dancing Body as Sound Made Visible
Jane Freeman Moulin

Chapter 6. From Tonga to Malaysia: Utlilising Adrienne Kaeppler’s Analysis of Dance Structure to Understand Igal of the Sama-Bajau in East Malaysia
Mohd Anis Md Nor

Chapter 7. Courting as Structured Movement in the Eastern Highlands of Papua New Guinea
Don Niles

Part III: Music and Dance as Agency in Power Struggles

Chapter 8. Disturbing Bodies: Danced Resistance and Imperial Corporeality in Colonial Micronesia
Brian Diettrich

Chapter 9. Greek Politicians' Dancing: Theatrical Representations of Political Power
Irene Loutzaki

Chapter 10. Lalåi: Somatic Decolonisation and Worldview-Making through Chant on the Pacific Island of Guåhan
Ojeya Cruz Banks

Part IV: Significance of the Tangible

Chapter 11. Intangible Dancing as Tangible Museum Exhibits
Elsie Ivancich Dunin

Chapter 12. Creativity and Ceremony in the Repatriation of King Ng:tja’
Kirsty Gillespie

Chapter 13. The Weave Within: Being, Seeing and Sensing in Barasili – Solomon Islands
Irene Karongo Hundleby

Part V: Perspectives from Adrienne L. Kaeppler

Interview with Adrienne L. Kaeppler: A Conversation with the Kupuna
Ricardo D. Trimillos and Adrienne L. Kaeppler

Publications by Adrienne L. Kaeppler
Jess Marinaccio (compiler)

Index

Perspectives in Motion: Engaging the Visual in

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A Hardback by Kendra Stepputat, Brian Diettrich

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    View other formats and editions of Perspectives in Motion: Engaging the Visual in by Kendra Stepputat

    Publisher: Berghahn Books
    Publication Date: 10/03/2021
    ISBN13: 9781800730021, 978-1800730021
    ISBN10: 1800730020

    Description

    Book Synopsis

    Focusing on visual approaches to performance in global cultural contexts, Perspectives in Motion explores the work of Adrienne L. Kaeppler, a pioneering researcher who has made a number of interdisciplinary contributions over five decades to dance and performance studies. Through a diverse range of case studies from Oceania, Asia, and Europe, and interdisciplinary approaches, this edited collection offers new critical and ethnographic frameworks for understanding and experiencing practices of music and dance across the globe.



    Table of Contents

    List of illustrations

    Foreword
    Nanasipauʻu Tukuʻaho

    Acknowledgements

    Introduction: Engaging the Visual in Dance and Music
    Brian Diettrich and Kendra Stepputat

    Part I: Gaining Insights through Dance Visualizations

    Chapter 1. Kinetic Songscapes: Intersensorial Listening to Hula Kuʻi Songs
    Kati Szego

    Chapter 2. Using Motion Capture to Access Culturally Embedded and Embodied Movement Knowledge: A Case Study in Tango Argentino
    Kendra Stepputat

    Chapter 3. Transcription and Description: Tasks for Dance Research
    Egil Bakka

    Chapter 4. Moving into Someone Else’s Research Project: Issues in Collaborative Research
    Judy Van Zile

    Part II: Reconsidering Movement Structures

    Chapter 5. The Dancer's Voice: The Dancing Body as Sound Made Visible
    Jane Freeman Moulin

    Chapter 6. From Tonga to Malaysia: Utlilising Adrienne Kaeppler’s Analysis of Dance Structure to Understand Igal of the Sama-Bajau in East Malaysia
    Mohd Anis Md Nor

    Chapter 7. Courting as Structured Movement in the Eastern Highlands of Papua New Guinea
    Don Niles

    Part III: Music and Dance as Agency in Power Struggles

    Chapter 8. Disturbing Bodies: Danced Resistance and Imperial Corporeality in Colonial Micronesia
    Brian Diettrich

    Chapter 9. Greek Politicians' Dancing: Theatrical Representations of Political Power
    Irene Loutzaki

    Chapter 10. Lalåi: Somatic Decolonisation and Worldview-Making through Chant on the Pacific Island of Guåhan
    Ojeya Cruz Banks

    Part IV: Significance of the Tangible

    Chapter 11. Intangible Dancing as Tangible Museum Exhibits
    Elsie Ivancich Dunin

    Chapter 12. Creativity and Ceremony in the Repatriation of King Ng:tja’
    Kirsty Gillespie

    Chapter 13. The Weave Within: Being, Seeing and Sensing in Barasili – Solomon Islands
    Irene Karongo Hundleby

    Part V: Perspectives from Adrienne L. Kaeppler

    Interview with Adrienne L. Kaeppler: A Conversation with the Kupuna
    Ricardo D. Trimillos and Adrienne L. Kaeppler

    Publications by Adrienne L. Kaeppler
    Jess Marinaccio (compiler)

    Index

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