Description

Book Synopsis
For decades, Pentecostalism has been one of the most powerful socio-cultural and socio-political movements in Africa. The Pentecostal modes of constructing the world by using their performative agencies to embed their rites in social processes have imbued them with immense cultural power to contour the character of their societies. Performing Power in Nigeria explores how Nigerian Pentecostals mark their self-distinction as a people of power within a social milieu that affirmed and contested their desires for being. Their faith, and the various performances that inform it, imbue the social matrix with saliences that also facilitate their identity of power. Using extensive archival material, interviews and fieldwork, Abimbola A. Adelakun questions the histories, desires, knowledge, tools, and innate divergences of this form of identity, and its interactions with the other ideological elements that make up the society. Analysing the important developments in contemporary Nigerian Penteco

Trade Review
'The book treads new ground, bringing religion and performance studies into a richly creative tête-à-tête, in which performing Nigerian Pentecostalism translates lived imagination, experience, and praxis into sacred reality. Spiritual power and temporal politics are acted out via the aestheticization and dramatization of Pentecostalism, thus giving it a unique religious niche and identity.' Afe Adogame, Princeton Theological Seminary
'This book boldly expands the disciplinary frontiers of Pentecostal studies from anthropology, history and political theory into performance studies, focusing on its creative and dramaturgical expressions of power. This approach and the insightful analysis it generates will no doubt appeal to scholars of Nigerian Pentecostalism from various disciplines.' Olufunke Adeboye, University of Lagos
'Performing Power in Nigeria is an excellent study of religion and Pentecostalism in contemporary Nigeria. Drawing from her brilliant scholarship on performance and creative expressions of culture and power, Abimbola Adelakun provides a splendid analysis of the spectacular display of Pentecostal spiritual power and identity.' Annalisa Butticci, Georgetown University

Table of Contents
Introduction; 1. Demons and Deliverance: Discourses on Pentecostal Character; 2. 'What Islamic devils?!': Power Struggles, Race, and Christian Trans-nationalism; 3. 'Touch not Mine Anointed': #MeToo, #ChurchToo, and the Power of 'See Finish'; 4. 'Everything Christianity/the Bible Represents is being Attacked on the Internet!': The Internet and Technologies of Religious Engagement; 5. 'God too laughs and we can laugh too': The Ambivalent Power of Comedy Performances in the Church; 6. 'The Spirit Names the Child': Pentecostal Futurity in the Name of Jesus; Conclusion: Power Must Change Hands: COVID 19, Power, and the Imperative of Knowledge.

Performing Power in Nigeria

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    A Hardback by Abimbola A. Adelakun

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      View other formats and editions of Performing Power in Nigeria by Abimbola A. Adelakun

      Publisher: Cambridge University Press
      Publication Date: 11/11/2021 12:00:00 AM
      ISBN13: 9781108831079, 978-1108831079
      ISBN10: 1108831079

      Description

      Book Synopsis
      For decades, Pentecostalism has been one of the most powerful socio-cultural and socio-political movements in Africa. The Pentecostal modes of constructing the world by using their performative agencies to embed their rites in social processes have imbued them with immense cultural power to contour the character of their societies. Performing Power in Nigeria explores how Nigerian Pentecostals mark their self-distinction as a people of power within a social milieu that affirmed and contested their desires for being. Their faith, and the various performances that inform it, imbue the social matrix with saliences that also facilitate their identity of power. Using extensive archival material, interviews and fieldwork, Abimbola A. Adelakun questions the histories, desires, knowledge, tools, and innate divergences of this form of identity, and its interactions with the other ideological elements that make up the society. Analysing the important developments in contemporary Nigerian Penteco

      Trade Review
      'The book treads new ground, bringing religion and performance studies into a richly creative tête-à-tête, in which performing Nigerian Pentecostalism translates lived imagination, experience, and praxis into sacred reality. Spiritual power and temporal politics are acted out via the aestheticization and dramatization of Pentecostalism, thus giving it a unique religious niche and identity.' Afe Adogame, Princeton Theological Seminary
      'This book boldly expands the disciplinary frontiers of Pentecostal studies from anthropology, history and political theory into performance studies, focusing on its creative and dramaturgical expressions of power. This approach and the insightful analysis it generates will no doubt appeal to scholars of Nigerian Pentecostalism from various disciplines.' Olufunke Adeboye, University of Lagos
      'Performing Power in Nigeria is an excellent study of religion and Pentecostalism in contemporary Nigeria. Drawing from her brilliant scholarship on performance and creative expressions of culture and power, Abimbola Adelakun provides a splendid analysis of the spectacular display of Pentecostal spiritual power and identity.' Annalisa Butticci, Georgetown University

      Table of Contents
      Introduction; 1. Demons and Deliverance: Discourses on Pentecostal Character; 2. 'What Islamic devils?!': Power Struggles, Race, and Christian Trans-nationalism; 3. 'Touch not Mine Anointed': #MeToo, #ChurchToo, and the Power of 'See Finish'; 4. 'Everything Christianity/the Bible Represents is being Attacked on the Internet!': The Internet and Technologies of Religious Engagement; 5. 'God too laughs and we can laugh too': The Ambivalent Power of Comedy Performances in the Church; 6. 'The Spirit Names the Child': Pentecostal Futurity in the Name of Jesus; Conclusion: Power Must Change Hands: COVID 19, Power, and the Imperative of Knowledge.

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