Description

Book Synopsis

Bringing together a range of perspectives to examine the full impact of political, socio-economic or psychological experiences of exile, Performing Exile: Foreign Bodies presents an inclusive mix of voices from varied cultural and geographic affiliations. The collected essays in this book focus on live performances that were inspired by living in exile. Chapters blend close critical analysis and ethnography to document and interrogate performances and the contexts that inform them.

In a world where exiled populations continue to grow, the role of art to document and engage with these experiences will continue to be essential, and this diverse book offers an important model for understanding the rich body of work being created today.

A PDF version of this book is available for free in open access via the OAPEN Library platform, Performing Exile. It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.



Trade Review

Anyone interested in exilic performance will be enriched, educated and entertained. [...] This manuscript makes a significant contribution to the scholarship on immigrant, multicultural and exilic performance.

-- Cynthia Ashperger, School of Performance, Ryerson University

Table of Contents

I. Introduction

II. A Theoretical Primer on Exile: On the Paradigms of Banishment, Displacement, and Free Choice

III. The Essays

Chapter 1: Theatre, Reconciliation, and the American Dream in Greater Cuba

Chapter 2: Three Angry Australians: A Reflexive Approach

Chapter 3: Exilic Solo Performances: Staging Body in a Movement/Logos Continuum

Chapter 4: Foreign Bodies in the Performance Art of Jorge Rojas: Cultural Encounters from Ritual to Satire

Chapter 5: Lingering Cultural Memory and Hyphenated Exile

Chapter 6: Carrying My Grandmother’s Drum: Dancing the Home Within

Chapter 7: Blood Red: Rebecca Belmore’s Vigil of Exile

Chapter 8: Yaffa Mish Yaffa (Yaffa Is No Longer Yaffa) From Diaspora to Homeland: Returning to Yaffa by Boat

Chapter 9: Belonging and Absence: Resisting the Division

Chapter 10: Caryatid Unplugged: A Cabaret on Performing and Negotiating Belonging and Otherness in Exile

Chapter 11: Exile Builds Performance: A Critical Analysis of Performing Satirical Images across Cultures through Media

Chapter 12: Resignifying Multilingualism in Accented Canadian Theatre

Performing Exile: Foreign Bodies

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    Order before 4pm tomorrow for delivery by Fri 19 Jun 2026.

    A Hardback by Judith Rudakoff

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      View other formats and editions of Performing Exile: Foreign Bodies by Judith Rudakoff

      Publisher: Intellect Books
      Publication Date: 01/10/2017
      ISBN13: 9781783208173, 978-1783208173
      ISBN10: 1783208171

      Description

      Book Synopsis

      Bringing together a range of perspectives to examine the full impact of political, socio-economic or psychological experiences of exile, Performing Exile: Foreign Bodies presents an inclusive mix of voices from varied cultural and geographic affiliations. The collected essays in this book focus on live performances that were inspired by living in exile. Chapters blend close critical analysis and ethnography to document and interrogate performances and the contexts that inform them.

      In a world where exiled populations continue to grow, the role of art to document and engage with these experiences will continue to be essential, and this diverse book offers an important model for understanding the rich body of work being created today.

      A PDF version of this book is available for free in open access via the OAPEN Library platform, Performing Exile. It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.



      Trade Review

      Anyone interested in exilic performance will be enriched, educated and entertained. [...] This manuscript makes a significant contribution to the scholarship on immigrant, multicultural and exilic performance.

      -- Cynthia Ashperger, School of Performance, Ryerson University

      Table of Contents

      I. Introduction

      II. A Theoretical Primer on Exile: On the Paradigms of Banishment, Displacement, and Free Choice

      III. The Essays

      Chapter 1: Theatre, Reconciliation, and the American Dream in Greater Cuba

      Chapter 2: Three Angry Australians: A Reflexive Approach

      Chapter 3: Exilic Solo Performances: Staging Body in a Movement/Logos Continuum

      Chapter 4: Foreign Bodies in the Performance Art of Jorge Rojas: Cultural Encounters from Ritual to Satire

      Chapter 5: Lingering Cultural Memory and Hyphenated Exile

      Chapter 6: Carrying My Grandmother’s Drum: Dancing the Home Within

      Chapter 7: Blood Red: Rebecca Belmore’s Vigil of Exile

      Chapter 8: Yaffa Mish Yaffa (Yaffa Is No Longer Yaffa) From Diaspora to Homeland: Returning to Yaffa by Boat

      Chapter 9: Belonging and Absence: Resisting the Division

      Chapter 10: Caryatid Unplugged: A Cabaret on Performing and Negotiating Belonging and Otherness in Exile

      Chapter 11: Exile Builds Performance: A Critical Analysis of Performing Satirical Images across Cultures through Media

      Chapter 12: Resignifying Multilingualism in Accented Canadian Theatre

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