Description

Book Synopsis
Performing Brains on Screen deals with film enactments and representations of the belief that human beings are essentially their brains, a belief that embodies one of the most influential modern ways of understanding the human. Films have performed brains in two chief ways: by turning physical brains into protagonists, as in the "brain movies" of the 1950s, which show terrestrial or extra-terrestrial disembodied brains carrying out their evil intentions; or by giving brains that remain unseen inside someone’s head an explicitly major role, as in brain transplantation films or their successors since the 1980s, in which brain contents are transferred and manipulated by means of information technology. Through an analysis of filmic genres and particular movies, Performing Brains on Screen documents this neglected filmic universe, and demonstrates how the cinema has functioned as a cultural space where a core notion of the contemporary world has been rehearsed and problematized.

Trade Review
"The Cartesian subject may be dead but our brains still haven’t figured that out. In Performing Brains on Screen, Fernando Vidal provides an impressive survey of the brain as protagonist across a pulpy expanse of fiction and cinema, examining how the continuing equation of brain and selfhood informs popular understandings of identity, consciousness, and memory. Essential reading for neuroscientists, cinephiles, and anyone else who has ever pondered the odd yet enduring convention of brains transplanted, escaped, switched, uploaded, and otherwise liberated from the body as spongy receptacle of selfhood."
- Jeffrey Sconce, Professor in the Screen Cultures program at Northwestern University and a Guggenheim Fellow for 2020-2021.

Table of Contents
Acknowledgments Note on References and Images

1. Brainhood and the Cinema
The "Deficit Model" and the Agency of Film
Bs to Zs
Filmic Brains in the Neurobiological Age

2. Brains in the Pulps
Resources
Scientifiction, Textual and Visual
Advertisement and "Prophetic Insight"
Before Gernsback
Weird Tales
Stories Astounding and Amazing

3. Naked Brains and Living Heads
Brain Movies
Body Parts
The Donor Portion
Apes
Semigrafts
Living Heads
Some Filmic Allografts
Paradox of the Naked Brain

4. Personal Survival
Immortality and the Brain
Adam and Tithonus
Staying the Same, Becoming Someone Else The Man Who Changed His Mind (1936) Change of Mind (1969) The Man With the Transplanted Brain (1971)

5. Frankenstein’s Brains
Shelley’s Novel and Frankenstein Films
The Final Touch: Frankenstein (1931)
The Universal Series
The Hammer Series
Beyond Universal and Hammer

6. Memories, Lost and Regained
A Preference for Retrograde Amnesia
Localizing Memory in the Filmic Brain
Personal Identity and the Authenticity of Memory
Erasing Memories
Eternal Sunshine of the Spotless Mind (2004)
Dark City (1998)

7. "Imagine, They Are in the Human Mind"

Bibliography
Films
Index

Performing Brains on Screen

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    A Hardback by Fernando Vidal

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      Publisher: Amsterdam University Press
      Publication Date: Publication Date: 21/04/2022
      ISBN13: 9789462989146, 978-9462989146
      ISBN10: 9462989141

      Description

      Book Synopsis
      Performing Brains on Screen deals with film enactments and representations of the belief that human beings are essentially their brains, a belief that embodies one of the most influential modern ways of understanding the human. Films have performed brains in two chief ways: by turning physical brains into protagonists, as in the "brain movies" of the 1950s, which show terrestrial or extra-terrestrial disembodied brains carrying out their evil intentions; or by giving brains that remain unseen inside someone’s head an explicitly major role, as in brain transplantation films or their successors since the 1980s, in which brain contents are transferred and manipulated by means of information technology. Through an analysis of filmic genres and particular movies, Performing Brains on Screen documents this neglected filmic universe, and demonstrates how the cinema has functioned as a cultural space where a core notion of the contemporary world has been rehearsed and problematized.

      Trade Review
      "The Cartesian subject may be dead but our brains still haven’t figured that out. In Performing Brains on Screen, Fernando Vidal provides an impressive survey of the brain as protagonist across a pulpy expanse of fiction and cinema, examining how the continuing equation of brain and selfhood informs popular understandings of identity, consciousness, and memory. Essential reading for neuroscientists, cinephiles, and anyone else who has ever pondered the odd yet enduring convention of brains transplanted, escaped, switched, uploaded, and otherwise liberated from the body as spongy receptacle of selfhood."
      - Jeffrey Sconce, Professor in the Screen Cultures program at Northwestern University and a Guggenheim Fellow for 2020-2021.

      Table of Contents
      Acknowledgments Note on References and Images

      1. Brainhood and the Cinema
      The "Deficit Model" and the Agency of Film
      Bs to Zs
      Filmic Brains in the Neurobiological Age

      2. Brains in the Pulps
      Resources
      Scientifiction, Textual and Visual
      Advertisement and "Prophetic Insight"
      Before Gernsback
      Weird Tales
      Stories Astounding and Amazing

      3. Naked Brains and Living Heads
      Brain Movies
      Body Parts
      The Donor Portion
      Apes
      Semigrafts
      Living Heads
      Some Filmic Allografts
      Paradox of the Naked Brain

      4. Personal Survival
      Immortality and the Brain
      Adam and Tithonus
      Staying the Same, Becoming Someone Else The Man Who Changed His Mind (1936) Change of Mind (1969) The Man With the Transplanted Brain (1971)

      5. Frankenstein’s Brains
      Shelley’s Novel and Frankenstein Films
      The Final Touch: Frankenstein (1931)
      The Universal Series
      The Hammer Series
      Beyond Universal and Hammer

      6. Memories, Lost and Regained
      A Preference for Retrograde Amnesia
      Localizing Memory in the Filmic Brain
      Personal Identity and the Authenticity of Memory
      Erasing Memories
      Eternal Sunshine of the Spotless Mind (2004)
      Dark City (1998)

      7. "Imagine, They Are in the Human Mind"

      Bibliography
      Films
      Index

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