Description

Book Synopsis
Placing the disciplines of performance studies and surveillance studies in a timely critical dialogue, Performance, Transparency, and the Cultures of Surveillance not only theorizes how surveillance performs, but also how the technologies and corresponding cultures of surveillance alter the performance of everyday life.

Trade Review
Harding moves fluidly between the sociological, political, statistical, economic, and aesthetic considerations of the impacts of surveillance on contemporary life. His book contributes a cautionary analysis of contemporary surveillance society that is grounded in performance and activist histories from the 20th-century avant-garde and pitched toward the need for radical activist performance in the 21st century. The final chapter in particular is an unequivocal call to arms, a stirring appeal for radical action in the face of alarming imbalances of power at local, national, and international levels."" - Elise Morrison, Yale University

Performance Transparency and the Cultures of

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    A Paperback by James M. Harding

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      View other formats and editions of Performance Transparency and the Cultures of by James M. Harding

      Publisher: The University of Michigan Press
      Publication Date: Publication Date: 1/30/2018 12:00:00 AM
      ISBN13: 9780472037094, 978-0472037094
      ISBN10: 0472037099

      Description

      Book Synopsis
      Placing the disciplines of performance studies and surveillance studies in a timely critical dialogue, Performance, Transparency, and the Cultures of Surveillance not only theorizes how surveillance performs, but also how the technologies and corresponding cultures of surveillance alter the performance of everyday life.

      Trade Review
      Harding moves fluidly between the sociological, political, statistical, economic, and aesthetic considerations of the impacts of surveillance on contemporary life. His book contributes a cautionary analysis of contemporary surveillance society that is grounded in performance and activist histories from the 20th-century avant-garde and pitched toward the need for radical activist performance in the 21st century. The final chapter in particular is an unequivocal call to arms, a stirring appeal for radical action in the face of alarming imbalances of power at local, national, and international levels."" - Elise Morrison, Yale University

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