Description
Book SynopsisExamines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources
Trade Review"... is and will remain unsurpassed as 'the study' dealing with performance practice as it pertains to keyboard music of the Classical period." American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." The Musical Times "Its importance to thoughtful musicians cannot be overstated." Choice " ... thoroughly musicological." Performance Practice Review " ... indispensable ... " New York Times
Table of ContentsForeword by Malcolm Bilson
Preface: About Performance Practices
Acknowledgments
Sources of Figures
Introduction: Using this Book
Abbreviations
I. Background for the Study
II. The Fortepiano circa 1780-1820
III. Dynamics and Accentuation
IV. Use of the Pedals
V. Articulation and Touch
VI. Historical Technique and Fingering
VII. Ornaments
VIII. "Mixed Meters" and Dotted Rhythms
IX. Choice of Tempo
X. Flexibility of Rhythm and Tempo
XI. Performing Beethoven's Bagatelle Op. 126, No. 5
Notes
Selected Bibliography
Index
