Description
Book SynopsisPerformance on Behalf of the Environment is a collection of essays from a diverse group of scholars representing the fields of art, communication studies, dance, environmental studies, performance studies, rhetoric, and theater. They explore critically the strengths, limitations, and processes of what can be termed environmental performances.
Trade ReviewBrimming with vital insight and important questions, this volume stages productive and timely incursions into urgent discussions around performance and environmental stewardship. -- David Fancy, Brock University
Performance on Behalf of the Environment is a much needed collection exploring connections between performance and environmentalism. Drs. Besel and Blau have assembled a compelling and provocative group of essays, spanning a wide range of methodological and theoretical approaches, whose authors prompt us to carefully consider and critique the ways our performances affect our world. -- Amy Kilgard, San Francisco State University
Table of ContentsChapter 1: Introduction: Performance on Behalf of the Environment Jnan A. Blau and Richard D. Besel PART I: PERFORMERS AND AUDIENCES Chapter 2: It’s a Party, Not a Protest: Environmental Community, Co-Incident Performance, and the San José Bike Party David Terry and Anne Marie Todd Chapter 3: Performing Nonhuman Liberation: How the ALF and ELF Rupture the Political Imagination Jason Del Gandio Chapter 4: Eco-Comedy Performance: An Alchemy of Environmentalism and Humor Alison Bodkin Chapter 5: Embodied Perspective by Incongruity: Environmental Critique in an Age of Performance Richard D. Besel PART II: PLACES AND SPACES Chapter 6: Reinhabiting the Land: From Vacant Lot to Garden Plot Barbara Willard Chapter 7: “Progress Fell Upon Us”: Ecotourism, Culture, and Performance in the Peruvian Amazon Jnan A. Blau Chapter 8: “On Finding Ways of Being”: Kinesthetic Empathy in Dance and Ecology Julia Handschuh Chapter 9: Indeterminate Hikes+: Hiking Through the Urban Wilderness Leila Nadir and Cary Peppermint PART III: MATERIALS AND PROCESSES Chapter 10: Indigenous Theatre in Global Times: Situated Knowledge and Ecological Communities in Salmon Is Everything and Burning Vision Theresa May Chapter 11: Staging Sustainable Shakespeare: “Greening” the Bard While Advancing Institutional Mission Ray Schultz and Jess Larson Chapter 12: Puppet Planets and Spirit Soldiers: Staging Ecological Representations in Baby Universe and Forgotten World Courtney Ryan
