Description

Book Synopsis
Mark Evans is Associate Dean at Coventry University School of Art and Design. He is the author of Movement Training for the Modern Actor and Jacques Copeau (both published by Routledge).

Trade Review
In this clear, well-argued call to challenge our assumptions about bodies in performance and to adapt our work to be more inclusive of difference, Mark Evans offers indispensable advice for making the human body a vibrant and conscious force in 21st-century entertainment. * Jeffrey Fracé, University of Washington, USA *
Evans succeeds in shining a light on the way that the dynamic growth of actor movement and movement direction has impacted on a variety of performing art forms as wide ranging as circus, physical theatre, digital and virtual platforms. * Ayse Tashkiran, The Royal Central School of Speech and Drama, UK *

Table of Contents
Introduction: the body in theatre performance and training Moving in to the Mainstream Movement, Play and Performance Doing Movement Differently Movement and the Cultural Context Movement and the Digitized Performance Conclusions.

Performance Movement and the Body 18 Theatre and

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    A Hardback by Mark Evans

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      View other formats and editions of Performance Movement and the Body 18 Theatre and by Mark Evans

      Publisher: Bloomsbury Publishing PLC
      Publication Date: Publication Date: 16/01/2019
      ISBN13: 9780230392533, 978-0230392533
      ISBN10: 0230392539

      Description

      Book Synopsis
      Mark Evans is Associate Dean at Coventry University School of Art and Design. He is the author of Movement Training for the Modern Actor and Jacques Copeau (both published by Routledge).

      Trade Review
      In this clear, well-argued call to challenge our assumptions about bodies in performance and to adapt our work to be more inclusive of difference, Mark Evans offers indispensable advice for making the human body a vibrant and conscious force in 21st-century entertainment. * Jeffrey Fracé, University of Washington, USA *
      Evans succeeds in shining a light on the way that the dynamic growth of actor movement and movement direction has impacted on a variety of performing art forms as wide ranging as circus, physical theatre, digital and virtual platforms. * Ayse Tashkiran, The Royal Central School of Speech and Drama, UK *

      Table of Contents
      Introduction: the body in theatre performance and training Moving in to the Mainstream Movement, Play and Performance Doing Movement Differently Movement and the Cultural Context Movement and the Digitized Performance Conclusions.

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