Description

Book Synopsis

Performance Art in practice – pedagogical approaches opens up a variety of philosophies that explore, explain and challenge Performance art and introduces a range of practices used in higher level education.

The book is a collection of nine independent essays. All the writers have several years of practice as artists, curators, teachers, professors, researchers and in establishing performance art education in Finland. The essays explain, challenge and deconstruct performance art from various angles: the body as a tool and a base of identity, self as material, pedagogic acts of dissidence, challenging societal questions without politicing art, building sustainable artwork based on emotions, intuition and research, using Fluxus scores in contemporary practices etc. are all topics dealt by the writers of Performance Art in practice – pedagogical approaches.

The essays are written from a practical point of view: how do we concretely teach performance art, why have we chosen these ways and what are the outcomes. Teaching the experimental art form, that doesn’t wear a uniform and relies on ever changing time and space isn’t all evident. Deconstructing performance art and reconstructing pedagogy springs out ideas that are relevant also elsewhere in the contemporary society.

The book challenges art school institutions: Individuality bound to collegiality, fruitful dialogue that bases on trust and sharing with a sociologically and politically challenging curricula come out in texts written by Aapo Korkeaoja, Eero Yli-Vakkuri, Jussi Matilainen, Pia Lindy and Tuomas Laitinen that refer to the remote countryside campus of SAMK Kankaanpää school of art. More urban perspective with philosophies, research interests and pedagogic practices at The University of Arts Helsinki are opened up by Tero Nauha, Annette Arlander, Pilvi Porkola and Leena Kela in their essays.



Table of Contents

The nine essays all approach performance art higher education from different angles:

Tuomas Laitinen: practice based research in art education

Aapo Korkeaoja: BA-level elementary studies

Annette Arlander: Fluxus

Pia Lindy: Body, time and space

Eero Yli-Vakkuri: dissidence in education

Tero Nauha: To perform is to value

Jussi Matilainen: societal roles and institutions in education

Pilvi Porkola: autobiograph

Leena Kela: performance alphabets.

Performance Art in Practice: Pedagogical

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    £999.99

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    A Paperback / softback by Aapo Kustaa Korkeaoja

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      Publisher: Intellect Books
      Publication Date: Publication Date: 02/02/2024
      ISBN13: 9781789388541, 978-1789388541
      ISBN10: 1789388546

      Description

      Book Synopsis

      Performance Art in practice – pedagogical approaches opens up a variety of philosophies that explore, explain and challenge Performance art and introduces a range of practices used in higher level education.

      The book is a collection of nine independent essays. All the writers have several years of practice as artists, curators, teachers, professors, researchers and in establishing performance art education in Finland. The essays explain, challenge and deconstruct performance art from various angles: the body as a tool and a base of identity, self as material, pedagogic acts of dissidence, challenging societal questions without politicing art, building sustainable artwork based on emotions, intuition and research, using Fluxus scores in contemporary practices etc. are all topics dealt by the writers of Performance Art in practice – pedagogical approaches.

      The essays are written from a practical point of view: how do we concretely teach performance art, why have we chosen these ways and what are the outcomes. Teaching the experimental art form, that doesn’t wear a uniform and relies on ever changing time and space isn’t all evident. Deconstructing performance art and reconstructing pedagogy springs out ideas that are relevant also elsewhere in the contemporary society.

      The book challenges art school institutions: Individuality bound to collegiality, fruitful dialogue that bases on trust and sharing with a sociologically and politically challenging curricula come out in texts written by Aapo Korkeaoja, Eero Yli-Vakkuri, Jussi Matilainen, Pia Lindy and Tuomas Laitinen that refer to the remote countryside campus of SAMK Kankaanpää school of art. More urban perspective with philosophies, research interests and pedagogic practices at The University of Arts Helsinki are opened up by Tero Nauha, Annette Arlander, Pilvi Porkola and Leena Kela in their essays.



      Table of Contents

      The nine essays all approach performance art higher education from different angles:

      Tuomas Laitinen: practice based research in art education

      Aapo Korkeaoja: BA-level elementary studies

      Annette Arlander: Fluxus

      Pia Lindy: Body, time and space

      Eero Yli-Vakkuri: dissidence in education

      Tero Nauha: To perform is to value

      Jussi Matilainen: societal roles and institutions in education

      Pilvi Porkola: autobiograph

      Leena Kela: performance alphabets.

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