Description

Book Synopsis
An insight into the meaning and value of popular forms of expression during a time of political and social change in East Africa.

Trade Review

. . . Edmondson's book is a significant study for Africanists, anthropologists, and post-socialist scholars looking to identify the way the artists, the state, and audiences negotiate and interpret meaning in public performances. It is also an important contribution to the limited academic writing on the theatre arts in Tanzania.

* Journal of Folklore Research *

. . . the book is also highly stimulating, thought-provoking, and informative. It is a significant contribution to the study of contemporary musical and theatrical performances and society in Tanzania.

-- Imani Sanga * University Dar es Salaam, Tanzania *

. . . What Edmondson accomplishes with a real sense of dramatic tension in her writing is to explore the particular appeal and philosophy of each group as they battle for artistic and financial supremacy. She does this within a framework which sees each group as expressive of a particular attitude towards the post-one-party and newly capitalist state that emerged in the 1990s.

-- Jane Plastow * University of Leeds *

. . . this study of the multifaceted character of the three troupes' [TOT (Tanzania Theatre One), the Muungano Cultural Troupe, and the Mandela Cultural Troupe] artistic practices is a valuable contribution to mapping the state of the performing arts in sub-Saharan Africa. It invites further investigation into one of the region's most fascinating phenomena: the traveling, popular, commercial theatre movement.

-- Joachim Fiebach * Berlin *

[Edmondson's] research is solid, her theory sound, and her writing style enjoyable. Performance and Politics in Tanzania will make a valuable addition to any scholar's library.

* Cultural Analysis *

Table of Contents

Contents

Acknowledgments

Introduction: Acts of Complicity: Meanings, Methods, and Maps

Part 1. Imagining the Nation
1. Performing, Transforming, and Reforming Tanzania: A Historical Tale
2. Alternative Nations: Locating Tradition, Morality, and Power

Part 2. Sexing the Nation
3. National Erotica: The Politics of Ngoma
4. Popular Drama and the Mapping of Home

Part 3. Contesting the Nation
5. Culture Wars: TOT versus Muungano
6. A Victor Declared: Popular Performance in the New Millennium

Glossary of Swahili Terms
Notes
List of References
Index

Performance and Politics in Tanzania

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    £17.99

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    A Paperback / softback by Laura Edmondson

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      View other formats and editions of Performance and Politics in Tanzania by Laura Edmondson

      Publisher: Indiana University Press
      Publication Date: 20/07/2007
      ISBN13: 9780253219121, 978-0253219121
      ISBN10: 0253219124

      Description

      Book Synopsis
      An insight into the meaning and value of popular forms of expression during a time of political and social change in East Africa.

      Trade Review

      . . . Edmondson's book is a significant study for Africanists, anthropologists, and post-socialist scholars looking to identify the way the artists, the state, and audiences negotiate and interpret meaning in public performances. It is also an important contribution to the limited academic writing on the theatre arts in Tanzania.

      * Journal of Folklore Research *

      . . . the book is also highly stimulating, thought-provoking, and informative. It is a significant contribution to the study of contemporary musical and theatrical performances and society in Tanzania.

      -- Imani Sanga * University Dar es Salaam, Tanzania *

      . . . What Edmondson accomplishes with a real sense of dramatic tension in her writing is to explore the particular appeal and philosophy of each group as they battle for artistic and financial supremacy. She does this within a framework which sees each group as expressive of a particular attitude towards the post-one-party and newly capitalist state that emerged in the 1990s.

      -- Jane Plastow * University of Leeds *

      . . . this study of the multifaceted character of the three troupes' [TOT (Tanzania Theatre One), the Muungano Cultural Troupe, and the Mandela Cultural Troupe] artistic practices is a valuable contribution to mapping the state of the performing arts in sub-Saharan Africa. It invites further investigation into one of the region's most fascinating phenomena: the traveling, popular, commercial theatre movement.

      -- Joachim Fiebach * Berlin *

      [Edmondson's] research is solid, her theory sound, and her writing style enjoyable. Performance and Politics in Tanzania will make a valuable addition to any scholar's library.

      * Cultural Analysis *

      Table of Contents

      Contents

      Acknowledgments

      Introduction: Acts of Complicity: Meanings, Methods, and Maps

      Part 1. Imagining the Nation
      1. Performing, Transforming, and Reforming Tanzania: A Historical Tale
      2. Alternative Nations: Locating Tradition, Morality, and Power

      Part 2. Sexing the Nation
      3. National Erotica: The Politics of Ngoma
      4. Popular Drama and the Mapping of Home

      Part 3. Contesting the Nation
      5. Culture Wars: TOT versus Muungano
      6. A Victor Declared: Popular Performance in the New Millennium

      Glossary of Swahili Terms
      Notes
      List of References
      Index

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