Description

Book Synopsis

With a new foreword by Stewart Pringle, Playwright and Dramaturg of the National Theatre of Great Britain.

Winner of the 1997 Theatre Book Prize

Peggy Ramsay was the most admired British play agent of the twentieth century. With a matchless ability to visualise a play just by reading it on the page, she set up in business in 1953, and over the years nurtured and developed the most dazzling client list which included Eugene Ionesco, Joe Orton, Robert Bolt, David Mercer, John McGrath, Iris Murdoch, John Mortimer, James Saunders, Peter Nichols, Charles Wood, Ann Jellicoe, Edward Bond, Christopher Hampton, David Hare, Alan Ayckbourn, Caryl Churchill, Howard Brenton and Willy Russell. Her role in the development of modern British drama was central.

One of the most remarkable things about her was her instinctive generosity. Peggy believed that the living playwright belonged at the centre of the theatre. A theatre without new writing talent to refresh it was worthless.



Table of Contents

Foreword

1 Under African Skies

Roots – Parents – Birth – Childhood – Education – Marriage

2 If It’s Tuesday, It Must Be Macbeth

In England – Separation – Touring Opera – Acting – Bill Roderick – Bristol Old Vic – Q Theatre – Becoming an Agent

3 Opening Gambit

Starting Out – First Year – John Holmstrom – Peter Hall and Waiting for Godot – Eugène Ionesco – Robert Bolt

4 Iron In The Soul

New Landscape – John Osborne – Ann Jellicoe – John Mortimer – Peters and Ramsay – Michael Codron – Michael Meyer – The Arts Theatre – James Saunders – Charles Wood – Henry Livings – Northerners – Alan Plater – David Mercer – David Rudkin – Peter Nichols – Alan Ayckbourn

5 Tie Ruffian On The Stair

Frank Marcus – Joe Orton – Kenneth Halliwell

6 Queen Bee

Independence – Attempted Takeovers – In Brighton – In the Office – Visiting Peggy – Views on Talent, Writers, Partners, Sexuality – Jean Rhys

7 At Court

Christopher Hampton – the Royal Court – George Devine – William Gaskill – Oscar Lewenstein – Edward Bond – Caryl Churchill – Max Stafford-Clark

8 For the Love of Talent

Subsidised Theatre – Commissioning – Hampstead Theatre Club – RSC and NT – the Fringe – Steve Gooch – Censorship – Anti-Apartheid – Mustapha Matura – Martin Sherman – John McGrath – John Arden and Margaretta D’Arcy – Willy Russell – Stephen Poliakoff – Wallace Shawn – David Hare

9 Memento Mori

Illness – Last Years – Death of Bill Roderick – Fire – Peggy’s Death – New Firm – Foundation – Tribute”

Notes

List of Clients

Peggy: The Life of Margaret Ramsay, Play Agent

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A Paperback / softback by Colin Chambers

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    View other formats and editions of Peggy: The Life of Margaret Ramsay, Play Agent by Colin Chambers

    Publisher: Salamander Street Limited
    Publication Date: 01/10/2020
    ISBN13: 9781913630164, 978-1913630164
    ISBN10: 1913630161

    Description

    Book Synopsis

    With a new foreword by Stewart Pringle, Playwright and Dramaturg of the National Theatre of Great Britain.

    Winner of the 1997 Theatre Book Prize

    Peggy Ramsay was the most admired British play agent of the twentieth century. With a matchless ability to visualise a play just by reading it on the page, she set up in business in 1953, and over the years nurtured and developed the most dazzling client list which included Eugene Ionesco, Joe Orton, Robert Bolt, David Mercer, John McGrath, Iris Murdoch, John Mortimer, James Saunders, Peter Nichols, Charles Wood, Ann Jellicoe, Edward Bond, Christopher Hampton, David Hare, Alan Ayckbourn, Caryl Churchill, Howard Brenton and Willy Russell. Her role in the development of modern British drama was central.

    One of the most remarkable things about her was her instinctive generosity. Peggy believed that the living playwright belonged at the centre of the theatre. A theatre without new writing talent to refresh it was worthless.



    Table of Contents

    Foreword

    1 Under African Skies

    Roots – Parents – Birth – Childhood – Education – Marriage

    2 If It’s Tuesday, It Must Be Macbeth

    In England – Separation – Touring Opera – Acting – Bill Roderick – Bristol Old Vic – Q Theatre – Becoming an Agent

    3 Opening Gambit

    Starting Out – First Year – John Holmstrom – Peter Hall and Waiting for Godot – Eugène Ionesco – Robert Bolt

    4 Iron In The Soul

    New Landscape – John Osborne – Ann Jellicoe – John Mortimer – Peters and Ramsay – Michael Codron – Michael Meyer – The Arts Theatre – James Saunders – Charles Wood – Henry Livings – Northerners – Alan Plater – David Mercer – David Rudkin – Peter Nichols – Alan Ayckbourn

    5 Tie Ruffian On The Stair

    Frank Marcus – Joe Orton – Kenneth Halliwell

    6 Queen Bee

    Independence – Attempted Takeovers – In Brighton – In the Office – Visiting Peggy – Views on Talent, Writers, Partners, Sexuality – Jean Rhys

    7 At Court

    Christopher Hampton – the Royal Court – George Devine – William Gaskill – Oscar Lewenstein – Edward Bond – Caryl Churchill – Max Stafford-Clark

    8 For the Love of Talent

    Subsidised Theatre – Commissioning – Hampstead Theatre Club – RSC and NT – the Fringe – Steve Gooch – Censorship – Anti-Apartheid – Mustapha Matura – Martin Sherman – John McGrath – John Arden and Margaretta D’Arcy – Willy Russell – Stephen Poliakoff – Wallace Shawn – David Hare

    9 Memento Mori

    Illness – Last Years – Death of Bill Roderick – Fire – Peggy’s Death – New Firm – Foundation – Tribute”

    Notes

    List of Clients

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