Description

Book Synopsis

This book aims to develop a political history of Italian ‘good food’ on national television, and the central role of food in Italian culture. The focus is highly original and this is a unique interdisciplinary study at the intersection between food studies, media studies and politics.

The three protagonists of Pasta, Pizza and Propaganda are food, television and politics. These are the three main characters that interrelate, collaborate and fight behind the scenes, while in front of the camera the writers, intellectuals and celebrity chefs talk about, prepare or taste the best Italian dishes.

The book retraces the history of Italian food television from a political point of view: the early shows of the pioneers under strict Catholic control in the 1950s and 1960s, the left-wing political twist of the 1970s, the conservative riflusso or resurgence of the 1980s, the disputed Berlusconian era and the rise of the celebrity chefs, which, for better or for worse, makes Italy similar to the other western countries.

The history of Italy since the mid-1950s is retold through the lenses of food television. This lively book demonstrates that cooking spaghetti in a TV studio is a political act, and tries to uncover how it is possible that, while watching on TV how to make pizza, we become citizens.

The primary readership will be an academic audience, including those in the disciplines of food studies, media studies, politics and Italian studies, as well as potentially for those interested in Italian sociology and anthropology. There may be a potential wider readership because of the popularity of Italian food and food television.



Trade Review

'Buscemi provides in-depth discussions on the important links between British and Italian food culture, television, politics and associated industries and behaviours. [...] [This book] will be valuable to students of television generally, and particularly those taking an interdisciplinary approach to media, food, culture, politics and globalisation. Buscemi provides a capsule case study of the development over sixty years of Italian television and the journey of food through those decades, witnessing changes to gender expectations, ideas of being a ‘better’ Italian and the possibility of food being used to promote a political ‘lie’ (p. 138) to viewers. [It] considers the culinary and cultural capital that the presenters acquire through television appearances and then use in their representations of the politics of food, world events and aspects of our lives which are far from frivolous.'

-- Kevin Geddes, Critical Studies on Television

Table of Contents

Introduction

Chapter 1: Literature review, theoretical framework and methodology

Politics, television and food in Italy: Dangerous liaisons

Politics in Italy after the Second World War

Television in Italy

Italian food between reality and stereotypes

Italian food TV

Theoretical framework

Methodology

Conclusion

Chapter 2: Broadcasting sacred food: 1954–1970

Soldati's journey to the Po Valley

Soldati's conception of genuineness

Nature and culture

Culture and the past

Where are the women?

Soldati's sacred food

Linea contro linea

Conclusion

Chapter 3: 1971–1980: The ephemeral wind of change

A new political scenario

The new scenario on TV: RAI's reformation

A Tavola alle 7

The relationship between Veronelli and Ninchi

Ninchi, Veronelli and the field of Italian politics in the 1970s

Dimmi Come Mangi and the dawn of neo-TV

Conclusion

Chapter 4: 1981–1999: Going back home (and to the kitchen)

Riflusso and Italy in the 1980s and 1990s

Wilma De Angelis and home cooking

A Pranzo con Wilma

Food television becomes a genre

Conclusion

Chapter 5: Eating TV: Food on Berlusconian television, 2000–2012

The celebrity housewives and their shows

La Prova del Cuoco

Women between power and stereotype

Serving sacred food in Trattoria

The contrasted discovery of foreign food

Food in the news

Conclusion

Chapter 6: 2012–the present, the Italian way to the celebrity chef

The invasion of the global formats

A case of Italian adaptation: From kitchen nightmares to Cucine da Incubo

A Cena da Me: Representing food to talk about something else

Food Network Italia

The new celebrity chefs

Alessandro Borghese e Simone Rugiati

MasterChef

Italian food out of Italy

Dietary chefs and their enemies

The tough chef

Female professional cooking

Benedetta Rossi, the anti-chef

Conclusion

Conclusion

Pasta, Pizza and Propaganda: A Political History

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    A Hardback by Francesco Buscemi, Flavia Laviosa

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      Publisher: Intellect Books
      Publication Date: 27/05/2022
      ISBN13: 9781789384062, 978-1789384062
      ISBN10: 1789384060

      Description

      Book Synopsis

      This book aims to develop a political history of Italian ‘good food’ on national television, and the central role of food in Italian culture. The focus is highly original and this is a unique interdisciplinary study at the intersection between food studies, media studies and politics.

      The three protagonists of Pasta, Pizza and Propaganda are food, television and politics. These are the three main characters that interrelate, collaborate and fight behind the scenes, while in front of the camera the writers, intellectuals and celebrity chefs talk about, prepare or taste the best Italian dishes.

      The book retraces the history of Italian food television from a political point of view: the early shows of the pioneers under strict Catholic control in the 1950s and 1960s, the left-wing political twist of the 1970s, the conservative riflusso or resurgence of the 1980s, the disputed Berlusconian era and the rise of the celebrity chefs, which, for better or for worse, makes Italy similar to the other western countries.

      The history of Italy since the mid-1950s is retold through the lenses of food television. This lively book demonstrates that cooking spaghetti in a TV studio is a political act, and tries to uncover how it is possible that, while watching on TV how to make pizza, we become citizens.

      The primary readership will be an academic audience, including those in the disciplines of food studies, media studies, politics and Italian studies, as well as potentially for those interested in Italian sociology and anthropology. There may be a potential wider readership because of the popularity of Italian food and food television.



      Trade Review

      'Buscemi provides in-depth discussions on the important links between British and Italian food culture, television, politics and associated industries and behaviours. [...] [This book] will be valuable to students of television generally, and particularly those taking an interdisciplinary approach to media, food, culture, politics and globalisation. Buscemi provides a capsule case study of the development over sixty years of Italian television and the journey of food through those decades, witnessing changes to gender expectations, ideas of being a ‘better’ Italian and the possibility of food being used to promote a political ‘lie’ (p. 138) to viewers. [It] considers the culinary and cultural capital that the presenters acquire through television appearances and then use in their representations of the politics of food, world events and aspects of our lives which are far from frivolous.'

      -- Kevin Geddes, Critical Studies on Television

      Table of Contents

      Introduction

      Chapter 1: Literature review, theoretical framework and methodology

      Politics, television and food in Italy: Dangerous liaisons

      Politics in Italy after the Second World War

      Television in Italy

      Italian food between reality and stereotypes

      Italian food TV

      Theoretical framework

      Methodology

      Conclusion

      Chapter 2: Broadcasting sacred food: 1954–1970

      Soldati's journey to the Po Valley

      Soldati's conception of genuineness

      Nature and culture

      Culture and the past

      Where are the women?

      Soldati's sacred food

      Linea contro linea

      Conclusion

      Chapter 3: 1971–1980: The ephemeral wind of change

      A new political scenario

      The new scenario on TV: RAI's reformation

      A Tavola alle 7

      The relationship between Veronelli and Ninchi

      Ninchi, Veronelli and the field of Italian politics in the 1970s

      Dimmi Come Mangi and the dawn of neo-TV

      Conclusion

      Chapter 4: 1981–1999: Going back home (and to the kitchen)

      Riflusso and Italy in the 1980s and 1990s

      Wilma De Angelis and home cooking

      A Pranzo con Wilma

      Food television becomes a genre

      Conclusion

      Chapter 5: Eating TV: Food on Berlusconian television, 2000–2012

      The celebrity housewives and their shows

      La Prova del Cuoco

      Women between power and stereotype

      Serving sacred food in Trattoria

      The contrasted discovery of foreign food

      Food in the news

      Conclusion

      Chapter 6: 2012–the present, the Italian way to the celebrity chef

      The invasion of the global formats

      A case of Italian adaptation: From kitchen nightmares to Cucine da Incubo

      A Cena da Me: Representing food to talk about something else

      Food Network Italia

      The new celebrity chefs

      Alessandro Borghese e Simone Rugiati

      MasterChef

      Italian food out of Italy

      Dietary chefs and their enemies

      The tough chef

      Female professional cooking

      Benedetta Rossi, the anti-chef

      Conclusion

      Conclusion

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