Description

Book Synopsis

Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. recent theory emphasizes the subjectivity of the historian and the ways in which any...



Trade Review

A strangely moving book to read.... Surely our desire to experience a kind of privileged timelessness before images—or our satisfaction with signification of any kind—has something to do with the consciousness of our own historicity; surely the challenge of art history, the challenge posed by the deep fascination of old art—or those faces from the past, so similar to our own, yet not our own—is like an encounter with the uncanny, with that otherness in which we discern our own end. A critical art history—like philosophy, like psychoanalysis—ought to take implications of that encounter seriously.

* Oxford Art Journal *

Past Looking Historical Imagination and the

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    A Paperback / softback by Michael Ann Holly

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      Book details

      Publisher Cornell University Press
      Published 19 September 1996
      ISBN-13 9780801483028
      978-0801483028
      ISBN-10 0801483026
      Also in:
      Historiography

      Description

      Book Synopsis

      Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. recent theory emphasizes the subjectivity of the historian and the ways in which any...



      Trade Review

      A strangely moving book to read.... Surely our desire to experience a kind of privileged timelessness before images—or our satisfaction with signification of any kind—has something to do with the consciousness of our own historicity; surely the challenge of art history, the challenge posed by the deep fascination of old art—or those faces from the past, so similar to our own, yet not our own—is like an encounter with the uncanny, with that otherness in which we discern our own end. A critical art history—like philosophy, like psychoanalysis—ought to take implications of that encounter seriously.

      * Oxford Art Journal *

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