Description
Book SynopsisNoted as a ‘civil poet’ by Alberto Moravia, Pier Paolo Pasolini was a creative and philosophical genius whose works challenged generations of Western Europeans and Americans to reconsider not only issues regarding the self, but also various social concerns. Pasolini’s works touched and continues to inspire students, scholars, and intellectuals alike to question the status quo. This collection of thirteen articles and two interviews evidences the on-going discourse around Pasolini’s lasting impressions on the new generation. Pasolini’s Lasting Impressions: Death, Eros and Literary Enterprise in the Opus of Pier Paolo Pasolini thus explores the civic poet’s oeuvre in four parts: poetry, theatre, film, and culture. Although the collection does not include every genre in which Pasolini wrote, it addresses many, some which often receive little or no attention, particularly in Italian Studies of North America. The underlining theme of the book, ‘death, eros and literary enterprise’ intertwines these genres in a rather unique way, allowing for inter-disciplinary interpretations to Pasolini’s rich opus. The edited volume concludes with two artists, Dacia Maraini and Ominio71’s reflections on Pasolini in the 21st century. In fact, the cover represents a recent work on Ominio71 underscoring Pasolini’s visual presence still within the Roman walls. In conclusion, this collection demonstrates how his works still influence contemporary Italian society and motivate intellectual dialogue through new theoretical outlooks on Pasolini’s oeuvre.
Trade ReviewIf only for the breathtakingly magisterial essay by Millicent Marcus on Pasolini's long-misunderstood concept of "the cinema of poetry," or Van Watson's virtuostic take on the clash in both life and art between Pasolini's narcissistic eros and sacrificial death wish, this volume would have more than repaid the price of admission. But it contains much, much more: many additional new and quite original readings of Pasolini's poetry, theater, cinema, and civic engagement, gathered together with admirable passion and care by editor Ryan Calabretta-Sajder There are many gems herein, including interviews with the Roman street artist Omino71 and the grande dame of Italian letters Dacia Maraini, who knew and loved the irreplaceable Pasolini, as we go on trying to know his work but love it effortlessly and for good. -- Rebecca West, William R. Kenan, Jr. Distinguished Service Professor (Emerita), The University of Chicago, Dept. of Romance Langs. and Lits., Dept. of Cinema and Media Studies
Pasolini’s Lasting Impressions is a compelling collection that revisits Pasolini’s work in different genres to connect his 20th century impegno with contemporary sociocultural concerns. Calabretta-Sajder gathers the voices of experts and newcomers to Pasolini studies to offer a fresh comprehensive perspective on the author’s ideological impetus and artistic message. -- Colleen Ryan, Professor of Italian, Indiana University Bloomington
Pasolini’s Lasting Impressions captures the complexity of the Pasolini legacy four decades after his death and makes a compelling case for continued research into his many and varied artistic endeavors. Featuring exciting contributions by renowned scholars alongside new voices from three continents, the collection covers the genres represented in Pasolini’s oeuvre—poetry, cinema, theater, and fiction—and shows that his cultural influence extends well into the 21st century. Ryan Calabretta-Sajder’s exhaustive yet agile volume adds a fresh chapter to the remarkable body of scholarship on Pasolini. -- Simona Bondavalli, Associate Professor of Italian, Vassar College
Table of ContentsAcknowledgments Introduction: Pasolini Studies—Forty Years in the Making Ryan Calabretta-Sajder Part 1: Pier Paolo Pasolini and Verse 1 Pasolini’s Poetry: The Language of the Mother Daniela Bini 2 Jesus Narcissus: Pasolini’s Self-Representation as Scapegoat and Martyr in His Friulan Verse William Van Watson 3 Poetic Gazing: The “Word-Eye” in the Poetry of Pier Paolo Pasolini Flaviano Pisanelli Part 2: Pasolini and the Stage 4 Pasolini’s Orestiade, the Irrational and Greek Tragedy Francesca D’Alessandro Behr 5 Dreams as Gendered Places: Feminist (Re)Awakenings in Pasolini’s Caldéron Ryan Calabretta-Sajder Part 3: Pasolini through the Lens 6 Il “cinema di poesia” from Theory to Practice: The Case of Edipo Re Millicent Marcus 7 Violence in Pier Paolo Pasolini’s Cinema Francesco Rosetti 8 The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier Paolo Pasolini’s Last Work Fabio Benincasa 9 Oedipus and Medea According to Pasolini Giulia Tellini 10 Pasolini’s Decameron (1971): A Case of Cinematic Re-Creation Fulvio Orsitto 11 Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext in The Canterbury Tales Ilaria Lanzarini Part 4: Pasolini and Italian Culture—Final Thoughts 12 Pasolini as Prophet: From I Know to the Prophecy of Salò, or the 120 Days of Sodom Daniela Privitera 13 Pier Paolo Pasolini’s Influence on Contemporary Italian Culture Virginia Agostinelli Part 5: Interviews 14 Interview with Omino 71 Fabio Benincasa 15 Pasolini’s Last Interview: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini—a Conversation with Dacia Maraini Ryan Calabaretta-Sajder Index About the Editors and Contributors
