Description

Book Synopsis
The art of mashup music, its roots in parody, and its social and legal implications.


Parody needn’t recognize copyright—but does an algorithm recognize parody? The ever-increasing popularity of remix culture and mashup music, where parody is invariably at play, presents a conundrum for internet platforms, with their extensive automatic, algorithmic policing of content. Taking a wide-ranging look at mashup music—the creative and technical considerations that go into making it; the experience of play, humor, enlightenment, and beauty it affords; and the social and legal issues it presents—Parody in the Age of Remix offers a pointed critique of how society balances the act of regulating art with the act of preserving it.

In several jurisdictions, national and international, parody is exempted from copyright laws. Ragnhild Brøvig contends that mashups should be understood as a form of parody, and thus be protected from removal

Parody in the Age of Remix Mashup Creativity vs.

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    A Paperback / softback by Ragnhild Brøvig

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      View other formats and editions of Parody in the Age of Remix Mashup Creativity vs. by Ragnhild Brøvig

      Publisher: MIT Press Ltd
      Publication Date: Publication Date: 27/06/2023
      ISBN13: 9780262545396, 978-0262545396
      ISBN10: 026254539X
      Also in:
      Society and culture: general

      Description

      Book Synopsis
      The art of mashup music, its roots in parody, and its social and legal implications.


      Parody needn’t recognize copyright—but does an algorithm recognize parody? The ever-increasing popularity of remix culture and mashup music, where parody is invariably at play, presents a conundrum for internet platforms, with their extensive automatic, algorithmic policing of content. Taking a wide-ranging look at mashup music—the creative and technical considerations that go into making it; the experience of play, humor, enlightenment, and beauty it affords; and the social and legal issues it presents—Parody in the Age of Remix offers a pointed critique of how society balances the act of regulating art with the act of preserving it.

      In several jurisdictions, national and international, parody is exempted from copyright laws. Ragnhild Brøvig contends that mashups should be understood as a form of parody, and thus be protected from removal

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