Description
Book SynopsisParody and Palimpsest: Intertextuality, Language, and the Ludic in the Novels of Jean-Philippe Toussaint adds to the emerging body of work on intertextuality through expansion of critical examinations of the novels of this award-winning author, presenting him as the ultimate magister ludi. Sarah L. Glasco links Jean-Philippe Toussaint's novels to cross-disciplinary texts that include not only Russian, American, and Japanese literatures, but also film and visual art. Toussaint alludes to the works of numerous French canonical authors, such as Pascal, Flaubert, Gide, Proust, and Apollinaire, with a multicultural mix of Faulkner, Beckett, Nabokov, and Kawabata, for instance, and the works of filmmakers, painters, and ancient philosophers like Wong Karwai, Mark Rothko, and Aristotle. Ultimately, intertextuality in Toussaint's novels is linked to global cultures and new media via his contemporary literary landscapes. This in-depth study reveals, presents, and analyzes a multiplicity
Trade Review«[...] Glasco’s analysis is a rich and valuable resource through which to approach one of the most engaging contemporary writers in the French language.»
(Russell Williams, French Studies vol 70, no 3, 2016)
«[...] Glasco’s elucidating book marks the first English-language monograph dedicated to this Belgian author.»
(Alexander Hertich, The French Review vol. 90.2 2016)
Table of ContentsContents: Bathrooms, the Banal, and the Critical Consensus: Toussaint as Magister Ludi and the Novels of the 1980’s –
La Salle de bain: (Re)cycling Through Time - Semantics and the Saugrenu – The Evasive Maneuvers of Monsieur - Contextual Evasion – Persuing Pascal(e): Ludic Incongruities via Text, Context, and Intertext in
L’appareil-photo – (Re)presenting Reality: The Reticent - (Meta)narratives of the 1990’s – The Misadventures of Marie: A 21st Century Tetralogy - The Sexual Evolution of Toussaint’s Literary Lovers – Past, Present, Future: What’s Next for Jean-Philippe Toussaint?
