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Book Synopsis
Founded in 1984 by women around Gabriele Stötzer, the Erfurt Women Artists’ Group pursued a radically creative lifestyle to counter the rigid structures of everyday life in the GDR, over a period of ten years. Subversive, witty, borne of a liberating sense of defiance against normative gender roles, their artistic expressions provide an insight into the little-known feminist subculture in the GDR. Their pioneering role in terms of an exploration of female identity is particularly reflected through five experimental Super 8 films, subsequent live performances, and fashion-object shows. Often unfolding intuitively from sequences of audio, dance, and literary elements, self-created and provocative costumes that served as alter egos of the artists took centre stage. Their political commitment culminated in December 1989 in the first occupation of a Stasi, State Security Service, headquarters, initiated by five women, three of whom were part of the group.

Pants Wear Skirts: The Erfurt Women Artist's

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    £999.99

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    A Paperback / softback by Susanne Altmann, Kata Krasznahorkai, Christin Müller

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      Publisher: Hatje Cantz
      Publication Date: Publication Date: 23/03/2023
      ISBN13: 9783775752589, 978-3775752589
      ISBN10: 3775752587

      Description

      Book Synopsis
      Founded in 1984 by women around Gabriele Stötzer, the Erfurt Women Artists’ Group pursued a radically creative lifestyle to counter the rigid structures of everyday life in the GDR, over a period of ten years. Subversive, witty, borne of a liberating sense of defiance against normative gender roles, their artistic expressions provide an insight into the little-known feminist subculture in the GDR. Their pioneering role in terms of an exploration of female identity is particularly reflected through five experimental Super 8 films, subsequent live performances, and fashion-object shows. Often unfolding intuitively from sequences of audio, dance, and literary elements, self-created and provocative costumes that served as alter egos of the artists took centre stage. Their political commitment culminated in December 1989 in the first occupation of a Stasi, State Security Service, headquarters, initiated by five women, three of whom were part of the group.

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