Description

Book Synopsis

A historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate locations

Palestinian Music in Exile is a historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate locations, including Gaza, Turkey, Kuwait, and Egypt. Grassroots musicians emerge here as powerful actors, their stories taking center stage, offering critiques of existing conditions, and new perspectives on displacement and the transmission of Palestinian narratives, and presenting alternative visions for the future.

Louis Brehony argues that, under conditions of colonial relations and repeated displacement, the reclaiming of public space has gone hand in hand with aesthetic revolution, both broadening and traditionalizing the sounds of Palestine, and carrying messages of sumud (steadfastness) and resistance. Based on a decade’s research in Europe and the Middle East, this timely and inspiring collection of musical ethnographies provides a rich oral history of contemporary Palestinian musicianship and encompasses a broad range of experiences of the ghurba, or state of exile.



Trade Review

"An incredible read. . . . Anyone reading this book would do well to keep it as a permanent source of reference."—Middle East Monitor

"Based on a deep knowledge of Palestinian resistance and culture, this book weaves together revolutionary Marxist and anticolonial theory with Palestinian history, music, and political and social ideas, in a way which is both accessible and intelligent."—Tahrir Hamdi, Arab Open University

"Louis Brehony’s book is a testament to the centrality of Palestinian culture, particularly music, to the continuity of the Palestinian struggle. He bears witness to the power of culture as a generator of meaning, and as a revolutionary tool in the hands of working-class Palestinian refugees in Palestine and in the diaspora."—Ramzy Baroud, Palestine Chronicle

"Louis Brehony's outstanding work sheds light on the various circumstances and factors that influenced the creation of Palestinian music in exile, which then became truly diverse and unique in the Arab world.”—Bashar Shammout, Al Fajer



Table of Contents

Timeline of events
Acknowledgements
Preface
Chapter 1. Introduction
Strings Of The Street: Resistance Aesthetics Of A Nation In Movement

Chapter 2. Za’atar, Zeit, And Fairuz: Growing Up Palestinian In Kuwait
Reem Kelani’s Musical Beginnings

Chapter 3. ‘Nothing Stops Tradition’: Dialects Of Cultural Reinvention In Exile
Experiences Of Palestinian Instrumentalism In Bilad al-Sham

Chapter 4. Village Dreams In Urban Gaza: A Young Girl’s Musical Intifada
Music And Land In A Palestinian Socialist Household

Chapter 5. Smashing The Pyramids: Encores Of Palestinian Radicalism In Egypt
Tamer Abu Ghazaleh, The Cairo Underground, And The Sabreen Influence

Chapter 6. ‘An Even Tougher Act Of Resistance’: Instrumentalism In The Dakhil
Saied Silbak And The Music Of Internal Displacement

Chapter 7. ‘Ahla Ayām’: The Most Beautiful Days
Tarab, al-Waṭan, And Gaza’s New Generation Of Musicians

Chapter 8. Sumud And The City: Old And New Comradeship In Istanbul
Fares Anbar, Ahmed Haddad, and The Turkish Migrant Scene

Conclusion: Where To?

Glossary
References

Palestinian Music in Exile: Voices of Resistance

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    A Hardback by Louis Brehony, Dr. Dawn Chatty, Dr. Stacy D. Fahrenthold

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      Publisher: American University in Cairo Press
      Publication Date: Publication Date: 21/11/2023
      ISBN13: 9781649033048, 978-1649033048
      ISBN10: 1649033044

      Description

      Book Synopsis

      A historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate locations

      Palestinian Music in Exile is a historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate locations, including Gaza, Turkey, Kuwait, and Egypt. Grassroots musicians emerge here as powerful actors, their stories taking center stage, offering critiques of existing conditions, and new perspectives on displacement and the transmission of Palestinian narratives, and presenting alternative visions for the future.

      Louis Brehony argues that, under conditions of colonial relations and repeated displacement, the reclaiming of public space has gone hand in hand with aesthetic revolution, both broadening and traditionalizing the sounds of Palestine, and carrying messages of sumud (steadfastness) and resistance. Based on a decade’s research in Europe and the Middle East, this timely and inspiring collection of musical ethnographies provides a rich oral history of contemporary Palestinian musicianship and encompasses a broad range of experiences of the ghurba, or state of exile.



      Trade Review

      "An incredible read. . . . Anyone reading this book would do well to keep it as a permanent source of reference."—Middle East Monitor

      "Based on a deep knowledge of Palestinian resistance and culture, this book weaves together revolutionary Marxist and anticolonial theory with Palestinian history, music, and political and social ideas, in a way which is both accessible and intelligent."—Tahrir Hamdi, Arab Open University

      "Louis Brehony’s book is a testament to the centrality of Palestinian culture, particularly music, to the continuity of the Palestinian struggle. He bears witness to the power of culture as a generator of meaning, and as a revolutionary tool in the hands of working-class Palestinian refugees in Palestine and in the diaspora."—Ramzy Baroud, Palestine Chronicle

      "Louis Brehony's outstanding work sheds light on the various circumstances and factors that influenced the creation of Palestinian music in exile, which then became truly diverse and unique in the Arab world.”—Bashar Shammout, Al Fajer



      Table of Contents

      Timeline of events
      Acknowledgements
      Preface
      Chapter 1. Introduction
      Strings Of The Street: Resistance Aesthetics Of A Nation In Movement

      Chapter 2. Za’atar, Zeit, And Fairuz: Growing Up Palestinian In Kuwait
      Reem Kelani’s Musical Beginnings

      Chapter 3. ‘Nothing Stops Tradition’: Dialects Of Cultural Reinvention In Exile
      Experiences Of Palestinian Instrumentalism In Bilad al-Sham

      Chapter 4. Village Dreams In Urban Gaza: A Young Girl’s Musical Intifada
      Music And Land In A Palestinian Socialist Household

      Chapter 5. Smashing The Pyramids: Encores Of Palestinian Radicalism In Egypt
      Tamer Abu Ghazaleh, The Cairo Underground, And The Sabreen Influence

      Chapter 6. ‘An Even Tougher Act Of Resistance’: Instrumentalism In The Dakhil
      Saied Silbak And The Music Of Internal Displacement

      Chapter 7. ‘Ahla Ayām’: The Most Beautiful Days
      Tarab, al-Waṭan, And Gaza’s New Generation Of Musicians

      Chapter 8. Sumud And The City: Old And New Comradeship In Istanbul
      Fares Anbar, Ahmed Haddad, and The Turkish Migrant Scene

      Conclusion: Where To?

      Glossary
      References

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