Description
Book SynopsisGiants are a ubiquitous feature of medieval romance. As remnants of a British prehistory prior to the civilization established, according to the Historium regum Britannie, by Brutus and his Trojan followers, giants are permanently at odds with the chivalric culture of the romance world. Whether they are portrayed as brute savages or as tyrannical pagan lords, giants serve as a limit against which the chivalric hero can measure himself. In Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot argues that the presence of giants allows for fantasies of ethnic and cultural conflict and conquest, and for the presentationand suppressionof alternative narrative and historical trajectories that might have made Arthurian Britain a very different place. Focusing on medieval French prose romance and drawing on aspects of postcolonial theory, Huot examines the role of giants in constructions of race, class, gender, and human subjectivity. S
Trade Review
"In her beautifully written Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot organizes a wealth of material into a taxonomy of giants and their complex role in medieval French literature. Huot imaginatively uses that mapping to demonstrate the many ways in which the figure of the giant is a cultural fantasy through which medieval writers imagined the limits of personhood. Tracing that fantasy through medieval concepts of race and ethnicity, Huot makes an original and important claim not just about what giants do for medieval writers or their audiences, but also about the vulnerable boundaries of the human that are both put into question and reaffirmed by representations of giant outsiders." —Peggy McCracken, University of Michigan
"Giants emerge from Sylvia Huot’s scintillating new book as a 'constitutive outside' that is central to medieval European ideas of the self and of civilisation. Their presence enables Arthurian romance in particular implicitly to define norms for gender, race, ethics, and the human. Not least of this book’s merits is an ongoing and illuminating meditation on parallels between medieval ideologies of exclusion and modern discourses on race or indeed terrorism." —Simon Gaunt, King’s College London
"Sylvia Huot's Outsiders is a book that medieval studies and monster theory have long needed. Attentive to how history and monstrosity together make race—and how that category of identity was far from stable in the Middle Ages—Huot examines the giants populating French romance. A bearer of captivating stories about the limits of the human, giants figure as a threat of violence against everything cherished (and thus a call to unending, genocidal war) as well as, at times, representing sympathetic inclinations towards earthly life, alternatives to the stories in which they are depicted as demonic. An erudite work of scholarship composed with great verve, Outsiders is a book that anyone interested in the history of monsters and the vexed making of the human will want to read." —Jeffrey Jerome Cohen, George Washington University
“Tracing the treatment of giants from the Bible through the later medieval period, the study embraces large themes: humanity and inhumanity, religious fervor, violence, assimilation, love, desire, sacrifice, construction of racial and ethnic difference. . . . With few exceptions, giants, unmourned in death, are the irredeemable Other whose antagonism and precarious survival are essential to the construction and continuity of idealized Western Christian culture. Highly recommended.” —Choice
“Sylvia Huot’s work is a timely and important investigation of giant figures in medieval French literature. Although Huot focuses very precisely on French discussion of race, gender, and class, specifically, can be applied not only across genres, but placed within a medieval and early modern European context. It is a well-timed work, a pleasure to read, and will expand the discussion on giants and other monsters of medieval literature. The theoretical discourse is especially useful for academics in expanding the notions of monstrosity and humanity within medieval and early modern literature.”—Renaissance Quarterly.
