Description

Book Synopsis

Much With Body is modern and approachable, with an undercurrent of irony. All in all, a powerfully potent reading experience Buzz Magazine

I was moved by this collection which places the joy of nature alongside the lived experience of those who suffer, the wild and free next to images of confinement and inaccessibility. Atkin has crafted poems in both traditional and highly experimental forms with huge success. - London Grip

This collection is a keeper, I can't recommend it highly enough.- Caroline Bracken

Atkins splits her collection into three unique parts. Atkins begins with refreshing perspective on the innocence and light-hearted descriptions of her experience with her local wildlife in Cumbria. Her next section is focused on ignored poetry from Dorothy Wordsworth, taking on an experimental style to share Atkins' struggle with lockdown, weather and illness. In her final section, Atkins highlights the ableism she experiences, linking the medical to the personal and her identity as a long-term sufferer from a chronic illness.

Other Women's Kitchens

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    Order before 4pm today for delivery by Wed 10 Jun 2026.

    A Pamphlet by Alison Binney

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      View other formats and editions of Other Women's Kitchens by Alison Binney

      Publisher: Poetry Wales Press
      Publication Date: 01/09/2021
      ISBN13: 9781781726464, 978-1781726464
      ISBN10: 1781726469
      Also in:
      Poetry

      Description

      Book Synopsis

      Much With Body is modern and approachable, with an undercurrent of irony. All in all, a powerfully potent reading experience Buzz Magazine

      I was moved by this collection which places the joy of nature alongside the lived experience of those who suffer, the wild and free next to images of confinement and inaccessibility. Atkin has crafted poems in both traditional and highly experimental forms with huge success. - London Grip

      This collection is a keeper, I can't recommend it highly enough.- Caroline Bracken

      Atkins splits her collection into three unique parts. Atkins begins with refreshing perspective on the innocence and light-hearted descriptions of her experience with her local wildlife in Cumbria. Her next section is focused on ignored poetry from Dorothy Wordsworth, taking on an experimental style to share Atkins' struggle with lockdown, weather and illness. In her final section, Atkins highlights the ableism she experiences, linking the medical to the personal and her identity as a long-term sufferer from a chronic illness.

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