Description

Writings by Michael Asselin and Stephanie Cristello, an essay on Joanna Piotrowska, recent works by Onyedika Chuke and Neil Winokur, and more, in the latest issue of Osmos

OSMOS Magazine is an art magazine about the use and abuse of photography, explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sectionssome traditional, such as Portfolio, Stories and Reportageand others more idiosyncratic, such as Eye of the Beholder, where gallerists discuss the talents they showcase; and Means to an End, on the side effects of nonartistic image production.

This issue of OSMOS Magazine features recent works by New Yorkbased Onyedika Chuke; an essay on the Polish artist Joanna Piotrowska; a reportage by Michael Asselin; Chicago-based art critic Stephanie Cristello on Kay Rosen's videos from the 1990s; and a portfolio by New Yorkbased photographer Neil Winokur.

Osmos Magazine Issue 17

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Writings by Michael Asselin and Stephanie Cristello, an essay on Joanna Piotrowska, recent works by Onyedika Chuke and Neil Winokur,... Read more

    Publisher: Osmos
    Publication Date: 6/6/2019
    ISBN13: 9780990698074, 978-0990698074
    ISBN10: 0990698076

    Non Fiction , Art & Photography

    Description

    Writings by Michael Asselin and Stephanie Cristello, an essay on Joanna Piotrowska, recent works by Onyedika Chuke and Neil Winokur, and more, in the latest issue of Osmos

    OSMOS Magazine is an art magazine about the use and abuse of photography, explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sectionssome traditional, such as Portfolio, Stories and Reportageand others more idiosyncratic, such as Eye of the Beholder, where gallerists discuss the talents they showcase; and Means to an End, on the side effects of nonartistic image production.

    This issue of OSMOS Magazine features recent works by New Yorkbased Onyedika Chuke; an essay on the Polish artist Joanna Piotrowska; a reportage by Michael Asselin; Chicago-based art critic Stephanie Cristello on Kay Rosen's videos from the 1990s; and a portfolio by New Yorkbased photographer Neil Winokur.

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