Description

Book Synopsis

Ornette Coleman, Psychoanalysis, Discourse develops tools from psychoanalysis for the analysis of Ornette Coleman's discourse.

In this psychoanalytic, philosophical and musical meditation on what it means to follow, A. L. James presents an approach to the analysis of discourse that is a kind of listening for listening â an attempt to discern in and between the lines of Coleman's speech the implication of new ways to listen, new ways to experience Colemanâs music as movement and space â as Movements in Harmolodic Space. Each chapter of this book is oriented with respect to fragments from Colemanâs discourse, dealing with a piece, or collection of pieces, from Colemanâs work, with particular attention to the implication of relations and relationality. Insofar as Colemanâs discourse about his work also contains allusions to fields beyond music, it develops tools that draw elements and structures from these fields together, finding in their relation echoes and

Ornette Coleman Psychoanalysis Discourse

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    A Paperback by A. L. James

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      Book details

      Publisher Taylor & Francis
      Published 11/29/2024
      ISBN-13 9781032534848
      978-1032534848
      ISBN-10 1032534842
      Also in:
      Psychoanalytical and Freudian psychology

      Description

      Book Synopsis

      Ornette Coleman, Psychoanalysis, Discourse develops tools from psychoanalysis for the analysis of Ornette Coleman's discourse.

      In this psychoanalytic, philosophical and musical meditation on what it means to follow, A. L. James presents an approach to the analysis of discourse that is a kind of listening for listening â an attempt to discern in and between the lines of Coleman's speech the implication of new ways to listen, new ways to experience Colemanâs music as movement and space â as Movements in Harmolodic Space. Each chapter of this book is oriented with respect to fragments from Colemanâs discourse, dealing with a piece, or collection of pieces, from Colemanâs work, with particular attention to the implication of relations and relationality. Insofar as Colemanâs discourse about his work also contains allusions to fields beyond music, it develops tools that draw elements and structures from these fields together, finding in their relation echoes and

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