Description

In "Opera Observed", William C. Holmes provides a look behind the scenes into the world of early 18th-century Italian opera. Based on a store of recovered documents, mainly the personal papers of Luca Casimiro degli Albizzi, this social history illustrates the complexities of staging opera in the 1720s and '30s: the role of the impresario in planning an operatic season, financial and artistic difficulties, the importance of patronage, the power of individual singers and composers, considerations of set design, and the practice of altering librettos. A member of an illustrious Florentine family, Albizzi (1664-1745) served as one of the principal impresarios of the Pergola, Florence's earliest and greatest opera theatre. He also carried on an active correspondence with impresarios in other cities, freely giving his advice on various economic and artistic concerns.

Opera Observed: Views of a Florentine Impresario in the Early Eighteenth Century

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Hardback by William C. Holmes

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In "Opera Observed", William C. Holmes provides a look behind the scenes into the world of early 18th-century Italian opera.... Read more

    Publisher: The University of Chicago Press
    Publication Date: 01/01/1994
    ISBN13: 9780226349701, 978-0226349701
    ISBN10: 0226349705

    Number of Pages: 266

    Non Fiction , Entertainment

    Description

    In "Opera Observed", William C. Holmes provides a look behind the scenes into the world of early 18th-century Italian opera. Based on a store of recovered documents, mainly the personal papers of Luca Casimiro degli Albizzi, this social history illustrates the complexities of staging opera in the 1720s and '30s: the role of the impresario in planning an operatic season, financial and artistic difficulties, the importance of patronage, the power of individual singers and composers, considerations of set design, and the practice of altering librettos. A member of an illustrious Florentine family, Albizzi (1664-1745) served as one of the principal impresarios of the Pergola, Florence's earliest and greatest opera theatre. He also carried on an active correspondence with impresarios in other cities, freely giving his advice on various economic and artistic concerns.

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