Description

Book Synopsis
In 'Pickpocket, Naples', a sonnet sequence reflecting on her Neapolitan background, Angela Leighton imagines a poem 'surprised in the act of finding itself'. Constantly alert to such surprises, One, Two moves from memory-scapes of childhood to elegies for her mother, quirky tributes to the creatures of the natural world to anguished poems about breath and breathlessness in times of coronavirus. Some of these poems are in formal stanzas; others catch the spaced freedom of dream or day-dream. Above all, this is a poetry which insists on the rhythmic footstep that walks in words, on the 'one, two' of a beat in language, whether the steps of a dance or the daily countdowns of sickness and death. The volume ends with some translations of the poetry of Dante and Pirandello which, either strictly or more freely, test the limits of translation. This is Leighton's fifth volume of poetry, and shows once again her characteristic sense of wit, music and formal invention.

Trade Review
'Angela Leighton is not only one of our most skilfully moving writers: she is also one of our most successful exponents of 'experiment'...' - Oxford Poetry; 'poems whose variousness and musicality will be familiar to those who have read her splendid Shoestring Press collections' - Times Literary Supplement

One, Two

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    A Paperback / softback by Angela Leighton

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      Publisher: Carcanet Press Ltd
      Publication Date: 28/01/2021
      ISBN13: 9781800170162, 978-1800170162
      ISBN10: 1800170165
      Also in:
      Poetry

      Description

      Book Synopsis
      In 'Pickpocket, Naples', a sonnet sequence reflecting on her Neapolitan background, Angela Leighton imagines a poem 'surprised in the act of finding itself'. Constantly alert to such surprises, One, Two moves from memory-scapes of childhood to elegies for her mother, quirky tributes to the creatures of the natural world to anguished poems about breath and breathlessness in times of coronavirus. Some of these poems are in formal stanzas; others catch the spaced freedom of dream or day-dream. Above all, this is a poetry which insists on the rhythmic footstep that walks in words, on the 'one, two' of a beat in language, whether the steps of a dance or the daily countdowns of sickness and death. The volume ends with some translations of the poetry of Dante and Pirandello which, either strictly or more freely, test the limits of translation. This is Leighton's fifth volume of poetry, and shows once again her characteristic sense of wit, music and formal invention.

      Trade Review
      'Angela Leighton is not only one of our most skilfully moving writers: she is also one of our most successful exponents of 'experiment'...' - Oxford Poetry; 'poems whose variousness and musicality will be familiar to those who have read her splendid Shoestring Press collections' - Times Literary Supplement

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