Description
Book SynopsisMore than one hundred years after Futurism exploded onto the European stage with its unique brand of art and literature, there is a need to reassess the whole movement, from its Italian roots to its international ramifications. In wide-ranging essays based on fresh research, the contributors to this collection examine both the original context and the cultural legacy of Futurism. Chapters touch on topics such as Futurism and Fascism, the geopolitics of Futurism, the Futurist woman, and translating Futurist texts. A large portion of the book is devoted to the practical aspects of performing Futurist theatrical ideas in the twenty-first century.
Trade Review'As London reminds us in the Introduction, the aim of the volume is "to make sure that the century of Futurism is not forgotten". The imperative to remember stems from the call for disruption and renewal of Futurism and the historic Avant-Garde captured here in all its rich creative zest. Ultimately the volume is a fascinating and creative rereading of a historical Avant-Garde movement that will appeal to practitioners and scholars alike.'
-- Modern Language Review
'This attractive and well-edited volume will be of interest to serious scholars of Futurism in all of its many forms and iterations.'
-- Symposium
'This highly innovative assortment of studies by performers, scholars and makers moves futurism firmly away from a basic historical reading towards something more kinetic and immediate. It contains scripts such as a 2009 piece A Futurist Doll’s House, new versions of Marinetti’s words-in-freedom, descriptions of sound-singing, a recipe for a futurist dinner, and an analysis of what the legacy of futurism might mean for dancers. It concludes with a valuable, comprehensive bibliography, which includes a list of online futurist performances. This book is a revelation: an ambitious, embodied rereading of a historical avant-garde movement that will appeal to makers and scholars alike.'
-- New Theatre Quarterly
'The scholarly rigor of any work authored or coordinated by London is more than guaranteed. All of his collaborators are clearly experts and supply chapters of outstanding quality, albeit working from widely diverging perspectives. Just holding the volume in one’s hands is a pleasurable experience, given the quality of its paper, careful layout, and abundant illustrations.'
-- Theatre Survey
Table of ContentsContents List of Illustrations Notes on the Contributors Acknowledgements Introduction: Futurism, Anti-Futurism, and the Forgotten Century John London
Aesthetics and Politics Chapter 1: Geographies of Futurism: Mapping the First Avant-garde Andreas Kramer Chapter 2: Intersecting Planes: Futurism, Fascism, and Gramsci James Martin Chapter 3: Translating Futurism: Moving Possibilities John London Chapter 4: Twenty-First-Century Women Drivers – Futurism’s Unlikely Successors: Gender Constructions, B-Movies, and Futurism Ricarda Vidal
Performance Forward is Forewarned: On Practitioners’ Perspectives John London Chapter 5: Staging Futurism: Time, Space, Place, Pace, and the Performance of Futurist Sintesi Gordon Ramsay Chapter 6: Writing Futurist Drama in 2009: A Futurist Doll’s House John London Chapter 7: The Possibilities for Dance: Words, Images, and Sounds in Freedom Rebecca Frecknall Chapter 8: W−I−F + V−I−F = EF Abi Weaver Chapter 9: Depero and the Puzzle of Colours Luke Allder Chapter 10: Sound-singing Carlo Carrà Lawrence Upton Chapter 11: Recipe for a Futurist Dinner Andrea Cusumano and Giuseppe Lomeo
Bibliography Index
