Description

Book Synopsis

One-Handed Piano Compositions and Injury Awareness: History, Study of Selected Works, and Mindful Practice calls readers to dive into the realm of one-handed piano works so they can enrich their concert repertoire with new and original works and perform beyond the limitations of their injuries if they are in a period of recovery. Zheni Atanasova wrote this book as a guide meant to inspire fellow musicians in their search for unique musical works and help colleagues navigate their professional career in case of an injury so they can thrive in such a challenging period. The author provides solutions for those who aspire to build a career in music performance even when their professional development is hindered by an injury. She offers a single source that holds the answers to a broad spectrum of questions pertaining to piano performance, wellness, and practice.



Trade Review

Zheni Atanasova offers an essential resource covering the history of one-handed piano music and the inspiring stories of pianists who have suffered injuries, then through strength and persistence have found pathways to successful and rewarding musical careers. This book offers hope and reassurance to all pianists through a body of one-handed literature and an overview of mind-body modalities that have proven effective in recovering from and preventing performance-related injuries.

-- Lynn Singleton, The Ohio State University

Table of Contents

List of Figures

Preface

Acknowledgments

Introduction

Chapter One: Historical Background

Chapter Two: Injury Awareness

Chapter Three: Study of Selected Works

Chapter Four: Practice: The Holy Grail of Music Mastery and…Professionally Inflicted Injury

Conclusion

Bibliography

Appendix A: Additional Piano Repertoire by Contemporary Composers

Appendix B: Helpful Information on the Techniques, Methods, Approaches, Seminars, Research and Institutes Discussed in the Book

Appendix C: Further Reading

About the Author

One-Handed Piano Compositions and Injury

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    Order before 4pm tomorrow for delivery by Fri 26 Jun 2026.

    A Hardback by Zheni Georgieva Atanasova

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      Publisher: Lexington Books
      Publication Date: 01/10/2021
      ISBN13: 9781793619341, 978-1793619341
      ISBN10: 1793619344

      Description

      Book Synopsis

      One-Handed Piano Compositions and Injury Awareness: History, Study of Selected Works, and Mindful Practice calls readers to dive into the realm of one-handed piano works so they can enrich their concert repertoire with new and original works and perform beyond the limitations of their injuries if they are in a period of recovery. Zheni Atanasova wrote this book as a guide meant to inspire fellow musicians in their search for unique musical works and help colleagues navigate their professional career in case of an injury so they can thrive in such a challenging period. The author provides solutions for those who aspire to build a career in music performance even when their professional development is hindered by an injury. She offers a single source that holds the answers to a broad spectrum of questions pertaining to piano performance, wellness, and practice.



      Trade Review

      Zheni Atanasova offers an essential resource covering the history of one-handed piano music and the inspiring stories of pianists who have suffered injuries, then through strength and persistence have found pathways to successful and rewarding musical careers. This book offers hope and reassurance to all pianists through a body of one-handed literature and an overview of mind-body modalities that have proven effective in recovering from and preventing performance-related injuries.

      -- Lynn Singleton, The Ohio State University

      Table of Contents

      List of Figures

      Preface

      Acknowledgments

      Introduction

      Chapter One: Historical Background

      Chapter Two: Injury Awareness

      Chapter Three: Study of Selected Works

      Chapter Four: Practice: The Holy Grail of Music Mastery and…Professionally Inflicted Injury

      Conclusion

      Bibliography

      Appendix A: Additional Piano Repertoire by Contemporary Composers

      Appendix B: Helpful Information on the Techniques, Methods, Approaches, Seminars, Research and Institutes Discussed in the Book

      Appendix C: Further Reading

      About the Author

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