Description

Book Synopsis
On Repeat offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and considers related implications for repetition in language, learning, and communication.

Trade Review
Marguliss is a wide-ranging study that engages with musical repetition in both its production and reception through experimental studies that she and others have conducted, through reflections on the cognitive capacities of humans (including the neurophysiological substrates of such capacities), and through a consideration of some of the roles music plays in cultural and social interactions * Lawrence M. Zbikowski, Music Theory Spectrum *
a signal musical and intellectual achievement. * Jonathan Dunsby, Music and Letters *
The engaging, entertaining style of On Repeat makes it a pleasure to read ... an important contribution to the field of music cognition, and should be of interest to scholars throughout the field. * Music Perception *
Margulis tells a compelling story about how we process the world and construct our musical discourses ... On Repeat is an exciting new examination of a very old subject. It is eminently readable and intriguing, having much to offer the academic musician, the experimental psychologist, or the interested lay reader. The book represents a significant advance in our understanding of the deep questions behind the variegated phenomena of musical repetition. * Music Theory Online *

Table of Contents
Table of Contents ; 1. The Puzzle of Musical Repetition ; 2. From Acoustic to Perceived Repetition ; 3. Attention, Temporality, and Music that Repeats Itself ; 4. Earworms, Technology, and the Verbatim ; 5. Relistenings ; 6. In Performance ; 7. Overt Participation, Implied Participation ; 8. Repetition, Music, and Mind

On Repeat How Music Plays the Mind

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    £66.37

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    Order before 4pm today for delivery by Mon 22 Jun 2026.

    A Hardback by Elizabeth Hellmuth Margulis

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      View other formats and editions of On Repeat How Music Plays the Mind by Elizabeth Hellmuth Margulis

      Publisher: Oxford University Press Inc
      Publication Date: 06/02/2014
      ISBN13: 9780199990825, 978-0199990825
      ISBN10: 0199990824

      Description

      Book Synopsis
      On Repeat offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and considers related implications for repetition in language, learning, and communication.

      Trade Review
      Marguliss is a wide-ranging study that engages with musical repetition in both its production and reception through experimental studies that she and others have conducted, through reflections on the cognitive capacities of humans (including the neurophysiological substrates of such capacities), and through a consideration of some of the roles music plays in cultural and social interactions * Lawrence M. Zbikowski, Music Theory Spectrum *
      a signal musical and intellectual achievement. * Jonathan Dunsby, Music and Letters *
      The engaging, entertaining style of On Repeat makes it a pleasure to read ... an important contribution to the field of music cognition, and should be of interest to scholars throughout the field. * Music Perception *
      Margulis tells a compelling story about how we process the world and construct our musical discourses ... On Repeat is an exciting new examination of a very old subject. It is eminently readable and intriguing, having much to offer the academic musician, the experimental psychologist, or the interested lay reader. The book represents a significant advance in our understanding of the deep questions behind the variegated phenomena of musical repetition. * Music Theory Online *

      Table of Contents
      Table of Contents ; 1. The Puzzle of Musical Repetition ; 2. From Acoustic to Perceived Repetition ; 3. Attention, Temporality, and Music that Repeats Itself ; 4. Earworms, Technology, and the Verbatim ; 5. Relistenings ; 6. In Performance ; 7. Overt Participation, Implied Participation ; 8. Repetition, Music, and Mind

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