Description

Colm Tóibín's personal account of encountering James Baldwin's work, published in Baldwin's centenary year. Acclaimed Irish novelist Colm Tóibín first read James Baldwin just after turning eighteen. He had completed his first year at an Irish university and was struggling to free himself from a religious upbringing. He had even considered entering a seminary and was searching for literature that would offer illumination and insight. Inspired by the novelGo Tell It on the Mountain, Tóibín found a writer who would be a lifelong companion and exemplar. From On James BaldwinBaldwin was interested in the hidden and dramatic areas in his own being, and was prepared as a writer to explore difficult truths about his own private life. In his fiction, he had to battle for the right of his protagonists to choose or influence their destinies. He knew about guilt and rage and bitter privacies in a way that few of his White novelist contemporaries did. And this was not simply because he was Bla

On James Baldwin

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Hardback by Colm Toibin

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Colm Tóibín's personal account of encountering James Baldwin's work, published in Baldwin's centenary year. Acclaimed Irish novelist Colm Tóibín first... Read more

    Publisher: Brandeis University Press
    Publication Date: 8/16/2024
    ISBN13: 9781684582471, 978-1684582471
    ISBN10: 1684582474

    Non Fiction , Biography

    Description

    Colm Tóibín's personal account of encountering James Baldwin's work, published in Baldwin's centenary year. Acclaimed Irish novelist Colm Tóibín first read James Baldwin just after turning eighteen. He had completed his first year at an Irish university and was struggling to free himself from a religious upbringing. He had even considered entering a seminary and was searching for literature that would offer illumination and insight. Inspired by the novelGo Tell It on the Mountain, Tóibín found a writer who would be a lifelong companion and exemplar. From On James BaldwinBaldwin was interested in the hidden and dramatic areas in his own being, and was prepared as a writer to explore difficult truths about his own private life. In his fiction, he had to battle for the right of his protagonists to choose or influence their destinies. He knew about guilt and rage and bitter privacies in a way that few of his White novelist contemporaries did. And this was not simply because he was Bla

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