Description
Book SynopsisTrade Review"In this incisive and decisive book, Serge Margel brilliantly diagnoses a founding aporia at the heart of Rousseau's thinking and writing, both political and literary. With rare acuity, he demonstrates that the parallel figures of the legislator and the reader in Rousseau establish an originary and unresolvable scene of imposture which both allows for and simultaneously undermines all final legitimacy in what we call politics and literature. In so doing, Margel both provides a strikingly original reading of Rousseau, and opens up some still burning philosophical questions about the fundamental possibilities and impossibilities of truth and lies, power and fiction in the space of democracy."—Geoffrey Bennington, Asa G. Candler Professor of Modern French Thought, Emory University
"This brilliant essay ushers the reader (that is to say: ourselves, since we are implicated in the exemplary figure of the legislator and impostor) into the heart of Rousseau's intricate paradox of the "innocent lie." In defining the archaic scene of imposture, where the literary and the political prove to be inseparable questions, Serge Margel gives us invaluable insight into our own out-of-joint times, which are marked by a crisis of authority and legitimacy, false facts, and outright lies. On Imposture reconstructs—and deconstructs—the very conditions of the body politic: is there a more pressing task?"—Ginette Michaud, Université de Montréal
Table of ContentsForeword
Preface: The Staging of an Imposture
Mendacium est fabula or the Right to Lie by Admission of Innocence: From the Fourth Reverie to the Epigraph of the Confessions
Introduction
I. Lying in the Confessions: Between Innocene and Injustice
II. An Innocent Liar, a Truthful Man, and a Confessing Witness
Fictions of the Cultural: Jean-Jacques Rousseau and the Body Politic of Democracy
Introduction
I. Nature, Culture, and the Economy of History
II. The Body Politic and the Discourse of Fiction
Bibliography
