Description

Book Synopsis


Trade Review
Roger Winter’s On Drawing probes the mystery of one of the greatest gifts of humanity, the urge to express oneself through images, in a word an innate need to communicate through design rather than language or sound. The widespread appreciation for the intrinsic quality of cartoons, comics, and on occasion even graffiti and advertising as a form of art underlies Winter’s broad understanding of the pervasive role of drawing today. The author’s full exposition of drawing’s importance as a means of visual expression from prehistoric times to the present, with its proliferation of digital and other media and a nonhierarchical pluralism of competing styles, is as lucid and accessible as it is insightful. Anyone who has ever uttered the word beautiful (or ugly), much less doodled his or her thoughts on a pad of paper, will be enriched by the words of this influential mentor of a generation of leading artists. -- Edmund P. Pillsbury, Ph.D., director of the Kimbell Art Museum (1980-98)

Table of Contents
Part 1 Chapter One: A Brief History Chapter 2 Nascent Drawing; Prehistoric Drawings; Replication; The Age of Disillusion; New Questions Part 3 Chapter Two: Process or Product? Chapter 4 Drawing as a Verb; Gesture Drawing; Ephemera; Drawing as a Noun; A Complete Sentence Part 5 Chapter Three: Cutting Chapter 6 Scissors; Assemblage; Installations Part 7 Chapter Four: Drawing and Writing Chapter 8 Early Writing; Hieroglyphics; Arabic; Chinese Calligraphy; Illuminated Books; Contemporary Hand Lettering; Modern Pictography Part 9 Chapter Five: Geometry Chapter 10 The Golden Section; Geometry in Aboriginal Art; Geometry and the 20th Century; Linear Perspective; Isometric Drawing; Oblique Drawing; Options; Vernacular Geometry; The Geometric Figure in Contemporary Art; Pure Form Part 11 Chapter Six: Subjects Chapter 12 The Nude; The Head; Landscapes; More Flora and Fauna; Social Commentary; Della Street; The Landscape of the Mind Part 13 Chapter Seven: The Picture Story Chapter 14 The Comics; Graphic Books; Animation; Illustrated Children's Books Part 15 Chapter Eight: The Learning Process Chapter 16 The Academy; The Atelier; University Art Departments; A Challenge; Teaching and Technology Part 17 Epilogue Part 18 Appendix

On Drawing

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    A Hardback by Roger Winter

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      Publisher: Rowman & Littlefield
      Publication Date: 08/06/2008
      ISBN13: 9780742559158, 978-0742559158
      ISBN10: 0742559157

      Description

      Book Synopsis


      Trade Review
      Roger Winter’s On Drawing probes the mystery of one of the greatest gifts of humanity, the urge to express oneself through images, in a word an innate need to communicate through design rather than language or sound. The widespread appreciation for the intrinsic quality of cartoons, comics, and on occasion even graffiti and advertising as a form of art underlies Winter’s broad understanding of the pervasive role of drawing today. The author’s full exposition of drawing’s importance as a means of visual expression from prehistoric times to the present, with its proliferation of digital and other media and a nonhierarchical pluralism of competing styles, is as lucid and accessible as it is insightful. Anyone who has ever uttered the word beautiful (or ugly), much less doodled his or her thoughts on a pad of paper, will be enriched by the words of this influential mentor of a generation of leading artists. -- Edmund P. Pillsbury, Ph.D., director of the Kimbell Art Museum (1980-98)

      Table of Contents
      Part 1 Chapter One: A Brief History Chapter 2 Nascent Drawing; Prehistoric Drawings; Replication; The Age of Disillusion; New Questions Part 3 Chapter Two: Process or Product? Chapter 4 Drawing as a Verb; Gesture Drawing; Ephemera; Drawing as a Noun; A Complete Sentence Part 5 Chapter Three: Cutting Chapter 6 Scissors; Assemblage; Installations Part 7 Chapter Four: Drawing and Writing Chapter 8 Early Writing; Hieroglyphics; Arabic; Chinese Calligraphy; Illuminated Books; Contemporary Hand Lettering; Modern Pictography Part 9 Chapter Five: Geometry Chapter 10 The Golden Section; Geometry in Aboriginal Art; Geometry and the 20th Century; Linear Perspective; Isometric Drawing; Oblique Drawing; Options; Vernacular Geometry; The Geometric Figure in Contemporary Art; Pure Form Part 11 Chapter Six: Subjects Chapter 12 The Nude; The Head; Landscapes; More Flora and Fauna; Social Commentary; Della Street; The Landscape of the Mind Part 13 Chapter Seven: The Picture Story Chapter 14 The Comics; Graphic Books; Animation; Illustrated Children's Books Part 15 Chapter Eight: The Learning Process Chapter 16 The Academy; The Atelier; University Art Departments; A Challenge; Teaching and Technology Part 17 Epilogue Part 18 Appendix

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