Description

Book Synopsis
This special issue is dedicated to the memory of Okwui Enwezor (1963–2019), the first African and Black curator and director of documenta11 (2002) and the 56th Venice Biennale (2015). The articles and personal tributes collected here recognize the profound impact left by the Nigerian art historian, curator, poet, and educator who transformed the curatorial present of global exhibitions and anticipated their decolonizing futures. Enwezor created political platforms and artistic manifestos that not only changed the form and function of global exhibitions, but also opened up new ways to align activism with aesthetic practices, performative displays, and curatorial initiatives. Contributors—art historians and critics, curators, and artists—address how Enwezor’s approach to the exhibition as a “space of public discourse” intersects with theories of affect, indigeneity, race, queer studies, and feminism.

Contributors: David Adjaye, Hoor Al Qasi

Okwui Enwezor

    Product form

    £19.94

    Includes FREE delivery

    RRP £20.99 – you save £1.05 (5%)

    Order before 4pm today for delivery by Fri 17 Jul 2026.

    A Paperback / softback by Chika Okeke-Agulu, Jane Chin Davidson, Alpesh Kantilal Patel

    1 in stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Okwui Enwezor by Chika Okeke-Agulu

      Publisher: Duke University Press
      Publication Date: 28/04/2021
      ISBN13: 9781478021162, 978-1478021162
      ISBN10: 1478021160

      Description

      Book Synopsis
      This special issue is dedicated to the memory of Okwui Enwezor (1963–2019), the first African and Black curator and director of documenta11 (2002) and the 56th Venice Biennale (2015). The articles and personal tributes collected here recognize the profound impact left by the Nigerian art historian, curator, poet, and educator who transformed the curatorial present of global exhibitions and anticipated their decolonizing futures. Enwezor created political platforms and artistic manifestos that not only changed the form and function of global exhibitions, but also opened up new ways to align activism with aesthetic practices, performative displays, and curatorial initiatives. Contributors—art historians and critics, curators, and artists—address how Enwezor’s approach to the exhibition as a “space of public discourse” intersects with theories of affect, indigeneity, race, queer studies, and feminism.

      Contributors: David Adjaye, Hoor Al Qasi

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account