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Book Synopsis
Despite the crucial roles they often play, no study yet compares the off-stage assemblies, armies, and populations found in surviving Athenian dramatic works. Covering fifth- and early fourth-century tragedy and comedy, Off-Stage Groups in Athenian Drama analyses how off-stage groups influence and respond to events on stage, and how characters interact with these groups. Drama exploits these groups'' off-stage nature by depicting them through different characters'' viewpoints: characters often struggle to define, predict, or control off-stage groups, which obscures and challenges the audience''s ability to interpret them. The interaction between multivalent and sometimes contradictory narratives of off-stage groups demands a new interpretive framework. Off-Stage Groups in Athenian Drama provides this framework, offering new readings of several prominent comedies and tragedies. However, the importance of this framework extends beyond drama. The first chapter surveys depictions of group

OffStage Groups in Athenian Drama

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    Order before 4pm tomorrow for delivery by Fri 19 Jun 2026.

    A Hardback by Alexandra Hardwick

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      View other formats and editions of OffStage Groups in Athenian Drama by Alexandra Hardwick

      Publisher: Oxford University Press
      Publication Date: 2/15/2024
      ISBN13: 9780198887225, 978-0198887225
      ISBN10: 0198887221

      Description

      Book Synopsis
      Despite the crucial roles they often play, no study yet compares the off-stage assemblies, armies, and populations found in surviving Athenian dramatic works. Covering fifth- and early fourth-century tragedy and comedy, Off-Stage Groups in Athenian Drama analyses how off-stage groups influence and respond to events on stage, and how characters interact with these groups. Drama exploits these groups'' off-stage nature by depicting them through different characters'' viewpoints: characters often struggle to define, predict, or control off-stage groups, which obscures and challenges the audience''s ability to interpret them. The interaction between multivalent and sometimes contradictory narratives of off-stage groups demands a new interpretive framework. Off-Stage Groups in Athenian Drama provides this framework, offering new readings of several prominent comedies and tragedies. However, the importance of this framework extends beyond drama. The first chapter surveys depictions of group

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