Description
Book SynopsisThis book displays both the remarkable diversity of Goodman’s concerns and the essential unity of his thought. As a whole the volume will serve as a concise introduction to Goodman’s thought for general readers, and will develop its more recent unfoldings for those philosophers and others who have grown wiser with his books over the years.
Trade ReviewOf Mind and Other Matters defends what Goodman calls a ‘constructivist’ philosophy. It is at once a philosophy of science, a philosophy of art, and a philosophy of cognition… Its central thesis, ‘constructivism,’ is that, contrary to common sense, there is no unique ‘real world’ that preexists and is independent of human mental activity and human symbolic language… Goodman puts the case well for the relevance of his views for the cognitive analysis of worldmaking through the arts. * New York Review of Books *
A series of works, wide in their sweep and often provocative in their argument, have established Nelson Goodman as an important and influential philosopher… For those interested in Goodman’s work (as who should not be) [
Of Mind and Other Matters] is essential reading. * Philosophical Quarterly *
The content and style of this book, though definitely not acid free, are a superb expression of strength and durability. * Journal of Philosophy *
[Goodman’s] ideas are already being tested in anthropological studies of symbol systems, in semiotics, music theory, architecture, studies of visual and pictorial communication, psychology, and aesthetics, as well as in his ‘original’ fields—logic, linguistics, and philosophy of science… Criticism and theory are badly in need of the rigor Goodman has to offer.
Of Mind and Other Matters…does provide a dazzling array of Goodman’s leading themes, and it illustrates once again the remarkable applicability of his thought to the entire range of problems we call ‘criticism and theory.’ * Poetics Today *
Table of ContentsI. Thought * Science and Sin * Love and Understanding * Knowing through Seeing * On Reconceiving Cognition * Can Thought be Quoted? * On Thoughts without Words II. Things * Notes on the Well-Made World * On Starmaking * Determined Materialism * Worlds of Individuals III. Reference * Routes of Reference * Metaphor as Moonlighting * Splits and Compounds * Reference in Art * Depiction as Denotation * Statements and Pictures * About Truth About IV. Art in Theory * Twisted Tales * The Telling and the Told * Fiction for Five Fingers * Three Types of Realism * On Being in Style * On Symptoms of the Aesthetic * Virtue Confined * On the Identity of Works of Art * Implementation of the Arts V. Art in Action * Notes from the Underground * Explorations in Art Education * A Message from Mars * Art and Ideas * The End of the Museum? * Appendix: Conversation with Frans Boenders and Mia Gosselin * Sources and Acknowledgments * Name Index * Subject Index
