Description
Book SynopsisIn developing his own conception of the 'figure', Andrew Benjamin has written an innovative and provocative study of the complex relationship between philosophy, the history of painting and their presentation of both Jews and animals. Newly available in paperback.
Trade ReviewOf Jews and Animals is set to become a key text, alongside such works as Elisabeth de Fontenay's Le silence des betes (1998) and Jacques Derrida's The Animal That Therefore I Am (2006), in constituting a further and necessary move beyond the utilitarianism and neo-Kantianism within which 'animal philosophy' has for so long remained mired. -- Richard Iveson, Goldsmiths, University of London Parallax Of Jews and Animals is set to become a key text, alongside such works as Elisabeth de Fontenay's Le silence des betes (1998) and Jacques Derrida's The Animal That Therefore I Am (2006), in constituting a further and necessary move beyond the utilitarianism and neo-Kantianism within which 'animal philosophy' has for so long remained mired.
Table of ContentsOpening; 1. Of Jews and Animals; Part 1; 2. Living and Being: Descartes' 'Animal Spirits' and Heidegger's Dog; 3. The Insistent Dog: Blanchot and the Community without Animals; 4. Indefinite Play and the 'Name of Man': Anthropocentrism's Deconstruction; Part 2; 5. What if the other were an animal? Hegel on Jews, Animals and Disease; 6. Agamben on 'Jews' and 'Animals'; 7. Force, Justice and Jews: Pascal's Pensees 102 and 103; 8. Facing Jews; Another Opening; 9. Animals Jews.
