Description
Book SynopsisAn account of the favourable depiction of Western culture and its negative characterization of Chinese culture in post-Mao China since 1978. This revised and expanded edition of Occidentalism in post-Mao China includes a new preface, foreword, and chapter on Chinese diaspora writings.
Trade ReviewExcellent. . . . An innovative 'deconstruction' or reversal of Said's view of Orientalism as the hegemonic construction of a silenced Other, Chen's study shows that Chinese Occidentalism is a pluralistic reading of the West. . . . Chen's examples are compelling and wide-ranging. . . . Lucidly argued, convincing, and elegantly written, Chen's study is a major contribution to East-West studies, comparative literature, and cultural hermeneutics. * The Comparatist *
Chen's sagacious analysis of the deliberate and productive misreading of Western cultural texts by the Chinese public shows how the Western Other also engages in the invention of the West for internal political purposes. . . . Occidentalism has the virtue of providing a more polyphonic history of cultural relations as its author weaves into her study voices representing different social, political and gender groups. * Research in African Literatures *
Praise for the first edition: Occidentalism is required reading for anyone who likes talking about literature as a phenomenon that exists and can be recognized in many countries and cultures, that has a certain cultural value, and that can be enjoyed and discussed on a different level than politics.... * China Review International *
Praise for the first edition: A stimulating contribution to the debate, not only because she offers an insider's perspective, but also because she is aware of the limitations of oppositional modes of thought..... * World Literature Today *
Through a superb account of select developments in post-Mao poetry and spoken drama, the book provides a model for a study of exchanges between cultures that does not rely on essential categories such as 'East' and 'West.' Chen suggests that this is an error to which even those enlightened by Said are prone as they dismantle Orientalist fantasies and lament foreign influences in China. Occidentalism makes clear the limitations of Said's book for one who works, so to speak, from the inside out. * Journal Of Modern Literature In Chinese *
Praise for the first edition: Occidentalism is required reading for anyone who likes talking about literature as a phenomenon that exists and can be recognized in many countries and cultures, that has a certain cultural value, and that can be enjoyed and discussed on a different level than politics. * China Review International *
Praise for the first edition: A stimulating contribution to the debate, not only because she offers an insider's perspective, but also because she is aware of the limitations of oppositional modes of thought. * World Literature Today *
Table of ContentsChapter 1 Foreword Chapter 2 Introduction Chapter 3 Occidentalism as a Counter-Discourse: The He shang Controversy Chapter 4 Occidentalist Theater: Shakespeare, Ibsen, and Brecht as Counter Others Chapter 5 "Misunderstanding" Western Modernism: The Menglong Movement Chapter 6 A Wildman between the Orient and the Occident: Retro-Influence in Comparative Literary Studies Chapter 7 Wilder, Mei Lanfang, and Huang Zoulin: A "Suggestive Theater" Revisited Chapter 8 Fathers and Daughters in Early Modern Chinese Drama: On the Problematics of Occidentalism in Cross-Cultural/Gender Perspectives Chapter 9 China Writes Back: Reading Stories of the Chinese Diaspora Chapter 10 Glossary
