Description

Book Synopsis
Reedmaking techniques of the masters

Trade Review

. . .an extraordinary contribution to the international oboe world, not only as a reference/documentary or reed styles but also as a compilation of important performers and their practices, including the great and influential Marcel tabuteau and Fernand Gillet. . . . [a] fascinating study . . . .Sept. 1, 2009

-- Peggy Grant * Northern Kentucky University *

One of the best technical volumes on international musical life.

* Das Musikinstrument *

A major work for teachers and performers alike.

-- Franck Avril * The Double Reed *

Table of Contents

Contents
List of Tables
Foreword by Richard Killmer
Acknowledgments
Introduction

Part I: Tone Production
1. Respiration
The Muscles Involved in Respiration
The Mechanics of Respiration
Inspiration
Expiration
The Open Throat
The Effect of Correct Respiration and the Open Throat on Timbre, Embouchure, and Reeds How to Teach Correct Respiration
2. Articulation
Articulation Related to Timbre
3. The Embouchure
The Functions of the Embouchure
The Effect of Embouchure on Timbre
4. The Instrument
Historical Background
The Acoustics of the Oboe
Timbre
5. The Acoustics of the Room
6. The Listener
Sociological Acceptance of Styles of Playing

Part II: Oboe Reeds
7. Reeds of Individual Oboists
Australia (Tancibudek, Woolley)
Austria (Kamesch, Kautzky, Lardrot, Raab)
Czechoslovakia (Duchon, Hanták)
Denmark (Wolsing)
England (Baker, Brierly, Craxton, Graeme, Jones, Lord, MacDonagh, Newbury, Rothwell, Sutcliffe, Tait, Wickens)
Finland (Sipila)
France (Bajeux, Bleuzet, Chevalet, Claro)
Germany (Eggers, Fischer, Kalmus, Schlövogt, Töttcher)
Holland (Houttuin, Pels, Stotijn)
Italy (Riedmiller, de Sanctis, Tomassini)
New Zealand (Booth)
Russia (Anonymous, Petrov)
Switzerland (Parolari)
United States (Angelucci, Arner, Barthel, Bloom, Bowman, de Busscher, Caldwell, Covington, Dandois, Duvoir, Gassman, Gatwood, Gillet, H. Gomberg, R. Gomberg, Harrison, Kirchner, Krilov, Lifschey, Mack, Mariotti, Memoli, Mueller, Rathbun, Remington, Renzi, Rizzo, Robinson, Roseman, Russell, Schoneberg, Shulman, Sprenkle, Stannard, Still, Tabuteau, Tustin, de Vergie, Weaver, Woodhams)
8. A Delineation of Reed Styles
The French-Style Reed
The American-Style Reed
The English-Style Reed
The Dutch-Style Reed
The Viennese-Style Reed
A Borderline Style (German)
9. Summary and Conclusions

Notes
Bibliography

Oboe Reed Styles Theory and Practice

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    A Paperback / softback by David A. Ledet

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      View other formats and editions of Oboe Reed Styles Theory and Practice by David A. Ledet

      Publisher: Indiana University Press
      Publication Date: Publication Date: 22/05/2000
      ISBN13: 9780253213921, 978-0253213921
      ISBN10: 0253213924

      Description

      Book Synopsis
      Reedmaking techniques of the masters

      Trade Review

      . . .an extraordinary contribution to the international oboe world, not only as a reference/documentary or reed styles but also as a compilation of important performers and their practices, including the great and influential Marcel tabuteau and Fernand Gillet. . . . [a] fascinating study . . . .Sept. 1, 2009

      -- Peggy Grant * Northern Kentucky University *

      One of the best technical volumes on international musical life.

      * Das Musikinstrument *

      A major work for teachers and performers alike.

      -- Franck Avril * The Double Reed *

      Table of Contents

      Contents
      List of Tables
      Foreword by Richard Killmer
      Acknowledgments
      Introduction

      Part I: Tone Production
      1. Respiration
      The Muscles Involved in Respiration
      The Mechanics of Respiration
      Inspiration
      Expiration
      The Open Throat
      The Effect of Correct Respiration and the Open Throat on Timbre, Embouchure, and Reeds How to Teach Correct Respiration
      2. Articulation
      Articulation Related to Timbre
      3. The Embouchure
      The Functions of the Embouchure
      The Effect of Embouchure on Timbre
      4. The Instrument
      Historical Background
      The Acoustics of the Oboe
      Timbre
      5. The Acoustics of the Room
      6. The Listener
      Sociological Acceptance of Styles of Playing

      Part II: Oboe Reeds
      7. Reeds of Individual Oboists
      Australia (Tancibudek, Woolley)
      Austria (Kamesch, Kautzky, Lardrot, Raab)
      Czechoslovakia (Duchon, Hanták)
      Denmark (Wolsing)
      England (Baker, Brierly, Craxton, Graeme, Jones, Lord, MacDonagh, Newbury, Rothwell, Sutcliffe, Tait, Wickens)
      Finland (Sipila)
      France (Bajeux, Bleuzet, Chevalet, Claro)
      Germany (Eggers, Fischer, Kalmus, Schlövogt, Töttcher)
      Holland (Houttuin, Pels, Stotijn)
      Italy (Riedmiller, de Sanctis, Tomassini)
      New Zealand (Booth)
      Russia (Anonymous, Petrov)
      Switzerland (Parolari)
      United States (Angelucci, Arner, Barthel, Bloom, Bowman, de Busscher, Caldwell, Covington, Dandois, Duvoir, Gassman, Gatwood, Gillet, H. Gomberg, R. Gomberg, Harrison, Kirchner, Krilov, Lifschey, Mack, Mariotti, Memoli, Mueller, Rathbun, Remington, Renzi, Rizzo, Robinson, Roseman, Russell, Schoneberg, Shulman, Sprenkle, Stannard, Still, Tabuteau, Tustin, de Vergie, Weaver, Woodhams)
      8. A Delineation of Reed Styles
      The French-Style Reed
      The American-Style Reed
      The English-Style Reed
      The Dutch-Style Reed
      The Viennese-Style Reed
      A Borderline Style (German)
      9. Summary and Conclusions

      Notes
      Bibliography

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