Description

Book Synopsis
Reedmaking techniques of the masters

Trade Review

. . .an extraordinary contribution to the international oboe world, not only as a reference/documentary or reed styles but also as a compilation of important performers and their practices, including the great and influential Marcel tabuteau and Fernand Gillet. . . . [a] fascinating study . . . .Sept. 1, 2009

-- Peggy Grant * Northern Kentucky University *

One of the best technical volumes on international musical life.

* Das Musikinstrument *

A major work for teachers and performers alike.

-- Franck Avril * The Double Reed *

Table of Contents

Contents
List of Tables
Foreword by Richard Killmer
Acknowledgments
Introduction

Part I: Tone Production
1. Respiration
The Muscles Involved in Respiration
The Mechanics of Respiration
Inspiration
Expiration
The Open Throat
The Effect of Correct Respiration and the Open Throat on Timbre, Embouchure, and Reeds How to Teach Correct Respiration
2. Articulation
Articulation Related to Timbre
3. The Embouchure
The Functions of the Embouchure
The Effect of Embouchure on Timbre
4. The Instrument
Historical Background
The Acoustics of the Oboe
Timbre
5. The Acoustics of the Room
6. The Listener
Sociological Acceptance of Styles of Playing

Part II: Oboe Reeds
7. Reeds of Individual Oboists
Australia (Tancibudek, Woolley)
Austria (Kamesch, Kautzky, Lardrot, Raab)
Czechoslovakia (Duchon, Hanták)
Denmark (Wolsing)
England (Baker, Brierly, Craxton, Graeme, Jones, Lord, MacDonagh, Newbury, Rothwell, Sutcliffe, Tait, Wickens)
Finland (Sipila)
France (Bajeux, Bleuzet, Chevalet, Claro)
Germany (Eggers, Fischer, Kalmus, Schlövogt, Töttcher)
Holland (Houttuin, Pels, Stotijn)
Italy (Riedmiller, de Sanctis, Tomassini)
New Zealand (Booth)
Russia (Anonymous, Petrov)
Switzerland (Parolari)
United States (Angelucci, Arner, Barthel, Bloom, Bowman, de Busscher, Caldwell, Covington, Dandois, Duvoir, Gassman, Gatwood, Gillet, H. Gomberg, R. Gomberg, Harrison, Kirchner, Krilov, Lifschey, Mack, Mariotti, Memoli, Mueller, Rathbun, Remington, Renzi, Rizzo, Robinson, Roseman, Russell, Schoneberg, Shulman, Sprenkle, Stannard, Still, Tabuteau, Tustin, de Vergie, Weaver, Woodhams)
8. A Delineation of Reed Styles
The French-Style Reed
The American-Style Reed
The English-Style Reed
The Dutch-Style Reed
The Viennese-Style Reed
A Borderline Style (German)
9. Summary and Conclusions

Notes
Bibliography

Oboe Reed Styles Theory and Practice

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A Paperback / softback by David A. Ledet

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    View other formats and editions of Oboe Reed Styles Theory and Practice by David A. Ledet

    Publisher: Indiana University Press
    Publication Date: 22/05/2000
    ISBN13: 9780253213921, 978-0253213921
    ISBN10: 0253213924
    Also in:
    Wind instruments

    Description

    Book Synopsis
    Reedmaking techniques of the masters

    Trade Review

    . . .an extraordinary contribution to the international oboe world, not only as a reference/documentary or reed styles but also as a compilation of important performers and their practices, including the great and influential Marcel tabuteau and Fernand Gillet. . . . [a] fascinating study . . . .Sept. 1, 2009

    -- Peggy Grant * Northern Kentucky University *

    One of the best technical volumes on international musical life.

    * Das Musikinstrument *

    A major work for teachers and performers alike.

    -- Franck Avril * The Double Reed *

    Table of Contents

    Contents
    List of Tables
    Foreword by Richard Killmer
    Acknowledgments
    Introduction

    Part I: Tone Production
    1. Respiration
    The Muscles Involved in Respiration
    The Mechanics of Respiration
    Inspiration
    Expiration
    The Open Throat
    The Effect of Correct Respiration and the Open Throat on Timbre, Embouchure, and Reeds How to Teach Correct Respiration
    2. Articulation
    Articulation Related to Timbre
    3. The Embouchure
    The Functions of the Embouchure
    The Effect of Embouchure on Timbre
    4. The Instrument
    Historical Background
    The Acoustics of the Oboe
    Timbre
    5. The Acoustics of the Room
    6. The Listener
    Sociological Acceptance of Styles of Playing

    Part II: Oboe Reeds
    7. Reeds of Individual Oboists
    Australia (Tancibudek, Woolley)
    Austria (Kamesch, Kautzky, Lardrot, Raab)
    Czechoslovakia (Duchon, Hanták)
    Denmark (Wolsing)
    England (Baker, Brierly, Craxton, Graeme, Jones, Lord, MacDonagh, Newbury, Rothwell, Sutcliffe, Tait, Wickens)
    Finland (Sipila)
    France (Bajeux, Bleuzet, Chevalet, Claro)
    Germany (Eggers, Fischer, Kalmus, Schlövogt, Töttcher)
    Holland (Houttuin, Pels, Stotijn)
    Italy (Riedmiller, de Sanctis, Tomassini)
    New Zealand (Booth)
    Russia (Anonymous, Petrov)
    Switzerland (Parolari)
    United States (Angelucci, Arner, Barthel, Bloom, Bowman, de Busscher, Caldwell, Covington, Dandois, Duvoir, Gassman, Gatwood, Gillet, H. Gomberg, R. Gomberg, Harrison, Kirchner, Krilov, Lifschey, Mack, Mariotti, Memoli, Mueller, Rathbun, Remington, Renzi, Rizzo, Robinson, Roseman, Russell, Schoneberg, Shulman, Sprenkle, Stannard, Still, Tabuteau, Tustin, de Vergie, Weaver, Woodhams)
    8. A Delineation of Reed Styles
    The French-Style Reed
    The American-Style Reed
    The English-Style Reed
    The Dutch-Style Reed
    The Viennese-Style Reed
    A Borderline Style (German)
    9. Summary and Conclusions

    Notes
    Bibliography

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