Description

Book Synopsis

Given that slaveholders prohibited the creation of African-style performing objects, is there a traceable connection between traditional African puppets, masks, and performing objects and contemporary African American puppetry? This study approaches the question by looking at the whole performance complex surrounding African performing objects and examines the material culture of object performance.

Object Performance in the Black Atlantic argues that since human beings can attribute private, personal meanings to objects obtained for personal use such as dolls, vessels, and quilts, the lines of material culture continuity between African and African American object performance run through objects that performed in ritual rather than theatrical capacity. Split into three parts, this book starts by outlining the spaces where the African American object performance complex persisted through the period of slavery. Part Two traces how African Americans began to reclai

Table of Contents

Part 1: The African American Object Performance Complex 1. Introduction to the African American Object Performance Complex 2. Minkisi: Ritual Objects as Lines of Resistance 3. Mechanical Negroes 4. African American Story Cycles 5. The Evidence of Things Not Seen: Object Performance in African American Dance 6. Music is Our Mother Tongue: Object Performance in African American Music Part 2: African American Object Performance Overcoming Jim Crow 7. From Minstrelsy to Vaudeville: John W. Cooper Crafts an Entrée 8. Shadows Uplifted: African American Object Performance under Jim Crow 9. Creating Communities 10. Throwing Voice: African American Ventriloquists 11. In the Image of God: Puppet Ministry and Object Performance in the Black Church 12. Political Activism and African American Object Performance Part 3: Object Performance in African American Dramatic Presentations 13. African American Puppet Modernism: Alice Swann and the Wonderland Puppet Theatre 14. Staging Stories: African American Folktales and Puppet Theater 15. Object Performance in African American Visual Art 16. African Americans and Object Performance in American Theater 17. African American Puppet Film 18. African American Puppetry in Social Media 19. The Substance of Things Hoped for: Contemporary African American Puppet Theater

Object Performance in the Black Atlantic

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    A Paperback by Paulette Richards

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      View other formats and editions of Object Performance in the Black Atlantic by Paulette Richards

      Publisher: Taylor & Francis Ltd
      Publication Date: 7/28/2023 12:00:00 AM
      ISBN13: 9781032054865, 978-1032054865
      ISBN10: 1032054867

      Description

      Book Synopsis

      Given that slaveholders prohibited the creation of African-style performing objects, is there a traceable connection between traditional African puppets, masks, and performing objects and contemporary African American puppetry? This study approaches the question by looking at the whole performance complex surrounding African performing objects and examines the material culture of object performance.

      Object Performance in the Black Atlantic argues that since human beings can attribute private, personal meanings to objects obtained for personal use such as dolls, vessels, and quilts, the lines of material culture continuity between African and African American object performance run through objects that performed in ritual rather than theatrical capacity. Split into three parts, this book starts by outlining the spaces where the African American object performance complex persisted through the period of slavery. Part Two traces how African Americans began to reclai

      Table of Contents

      Part 1: The African American Object Performance Complex 1. Introduction to the African American Object Performance Complex 2. Minkisi: Ritual Objects as Lines of Resistance 3. Mechanical Negroes 4. African American Story Cycles 5. The Evidence of Things Not Seen: Object Performance in African American Dance 6. Music is Our Mother Tongue: Object Performance in African American Music Part 2: African American Object Performance Overcoming Jim Crow 7. From Minstrelsy to Vaudeville: John W. Cooper Crafts an Entrée 8. Shadows Uplifted: African American Object Performance under Jim Crow 9. Creating Communities 10. Throwing Voice: African American Ventriloquists 11. In the Image of God: Puppet Ministry and Object Performance in the Black Church 12. Political Activism and African American Object Performance Part 3: Object Performance in African American Dramatic Presentations 13. African American Puppet Modernism: Alice Swann and the Wonderland Puppet Theatre 14. Staging Stories: African American Folktales and Puppet Theater 15. Object Performance in African American Visual Art 16. African Americans and Object Performance in American Theater 17. African American Puppet Film 18. African American Puppetry in Social Media 19. The Substance of Things Hoped for: Contemporary African American Puppet Theater

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